hard rock

Album Review: Scorpion Child – “Scorpion Child”

It seems like every year there’s another Classic Rock revivalist band that attempts to reimagine the sounds of the ‘70s for a new generation of listeners. Bands like The Sword, Wolfmother, The Answer, Graveyard, and many others have all done a fine job incorporating the sounds of Led Zeppelin and Black Sabbath, but they have survived their own band’s debut because they managed to blend in enough of their own identity.

Airbourne – “Black Dog Barking”

Every generation needs an AC/DC. Despite losing their original lead singer, Bon Scott, in 1980, AC/DC has managed to hang around for a few generations thanks to replacement Brian Johnson. However, with guitarist Angus Young getting dangerously close to 60, there’s something about him prancing around in a schoolboy outfit that has lost some of its original appeal. That isn’t to say AC/DC has lost their touch, they’re still one of the most entertaining live acts in the world, but when the time comes to officially pass the torch, no band is better suited for the handoff than Airbourne.

Album Review: Black Star Riders – “All Hell Breaks Loose”

You’ve all heard of Thin Lizzy. With hits like “The Boys Are Back in Town” and “Jailbreak,” Thin Lizzy has been in heavy rotation on every Classic Rock radio station since the beginning of Classic Rock radio stations. Many of you have probably even seen Thin Lizzy live in concert despite the band’s last studio record, “Thunder and Lightning,” recently turning thirty.

Album Review: Blacklist Union – “Til Death Do Us Part”

The Modern Rock genre can often be a difficult one to review. There is so much material out there that, eventually, everything starts to sound pretty similar. Sure, some bands are much better at captivating audiences than others, but it takes something truly extraordinary to stand out from the pack.

Album Review: Flotsam and Jetsam – “Ugly Noise”

Originally called Dogz, Flotsam and Jetsam are probably best known for being the band Jason Newsted helped start before becoming the bassist for Metallica. After an on again, off again relationship with Metal Blade Records over the years, “Ugly Noise” finds the band, once again, with Metal Blade for their eleventh studio album. What’s more exciting for fans of the band, however, is the return of Kelly Smith on drums and Michael Gilbert on guitar. In other words, Flotsam and Jetsam is once again rocking their “Cuatro” lineup.

Album Review: Danko Jones – “Rock and Roll is Black and Blue”

Danko Jones, named after the band’s lead singer, has been around for over a decade, but despite their popularity in Europe as well as their native Canada, Danko Jones has failed to make much of a splash in the United States. With quality albums like 2003’s “We Sweat Blood” and 2010’s “Below The Belt” already behind them, it’s somewhat surprising they haven’t caught on in the same way similar bands like Buckcherry and Foo Fighters have, but Jones and his band continue to press onward.

Album Review: Buckcherry – “Confessions”

Listen to any of Buckcherry’s previous five studio albums and you get the idea they’ve done their fair share of sinning. That isn’t to say they’re promoting poor behavior, but…ok, maybe a little bit.

EP Review: Puscifer – “Donkey Punch the Night”

Fans of Tool have been anxiously anticipating a new record from the band band since “10,000 Days” was released in 2006. Fans of A Perfect Circle have been waiting even longer. Unfortunately for both groups, however, Maynard James Keenan just keeps having ideas for side projects and is perfectly content to let everyone wait.

Album Review: Heaven's Basement - "Filthy Empire"

Red Bull has done a phenomenal job of making their name synonymous with “energy” and with Red Bull Records, energy is exactly what listeners receive. Watch five videos of people doing something “extreme” and the odds of one of them using Awolnation’s “Sail” as the soundtrack, which was also released by Red Bull Records, are exceptionally high.

Album Review: Cocaine Mustache - "On the Mirror"

Cocaine Mustache is a hard partying, devil may care, free spirited rock and roll band bordering on metal and high on amps and distortion. The band endeavors to bring the listener a brand of music that is dirty and unrefined; party music for the sake of party music. Despite being a one-speed album, their effort “On the Mirror” is not a flank speed ahead affair. Rather, it is an album designed to plod forward at a sludgy pace, and makes up the difference in speed for size, appearing gigantic and impending over the horizon.

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