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Now that Jon Stewart has been thrown into the tar pits, I have no idea what the hell is going on in politics, but word around campus is that there's an election happening sometime this year. Not a franchise to miss out on a ham fisted stab at relevance, The Purge franchise is back with a very on-the-nose film titled The Purge: Election Year. Get it?

The horror genre has gained notoriety as of late for taking over the small screen. Horror and television are slowly becoming synonymous. American Horror Story, Hannibal, Scream Queens, Scream, Bates Motel, are all must see TV for horror aficionados. This trend of horror television is not quite as new as some proclaim it to be. Over the next few months BGH will be examining the best horror had to offer television in the previous decades, starting off this week with the 1950s.

Being a female horror fan can be a somewhat alienating experience. Despite having the distinguished honor of being the progenitor of the Final Girl trope, the genre is not always kind to the so-called weaker sex. February 2016 marks the seventh annual Women in Horror Month and, as such, I will be dedicating my time over the next couple of weeks to watching and reviewing female-directed horror films.

Julianne Hough in Curve

In the by-the-books thriller Curve, Julianne Hough’s character Mallory finds herself in a bit of a 127 Hours situation. She’s trapped at the bottom of a ravine, her leg ensnared in the wreckage of her SUV. She survives for a while, but it becomes clear help isn’t going to make it in time, leaving her with a choice: cut off her leg or die in the SUV. Oh, and there’s a serial killer there, too.  

Fourteen years ago Eli Roth burst onto the horror scene with the gory, darkly funny and memorable Cabin Fever. Since then the quality of his conbtributions to the horror community have been extremely varied but there is little doubt that this first entry is a shining star in a time period that was particularly depressing for horror. So it seems fitting in light of the backlash that he's gotten over the last few years that he is returning to produce what once made him one of our most promising young stars. In this version he has handed the directorial rights to Travis Zariwny who also has the home invasion flick Intruder on the docket.

The first 45 minutes of the found-footage horror flick JeruZalem highlight the best and worst of what the Paz Brothers have brought to the table early on in 2016. The best being the rich and beautiful city of Jerusalem- ripe with lush landscapes and admirable architecture. The worst? Plodding character development, and a bafflingly terrible supporting performance Yon Tumarkin. 

The simplest way to conform to the general horror market is with a story revolving around zombies. While the genre typically seeks to bend and morph with the changing times, the saturation of certain sub genres becomes inevitable.

People breaking into a house they shouldn’t be in is old hat in the horror world. Some of the genre’s most memorable and influential films have revolved around a similar story. The home invasion subgenre is so well-established that it has become overwrought. The repetition has taken it to the same place that many subgenres find themselves these days: as horror movies become cheaper to make and original ideas seem scarce, straight to VOD movies abound and cynical money grabs clog the theaters.

Isla Fisher in a scene from Visions

Before even a second of anything supernatural goes down in the tedious thriller Visions, Eveleigh (Isla Fisher) and her impossibly rugged husband David (Anson Mount) already have quite a bit going on. Eveleigh is just a year removed from a tragic auto accident and is still suffering from some residual PTSD. The couple has also just ditched LA to move out to the country and run a vineyard, because how hard can that be if you have zero experience? Oh, and Eveleigh is three months pregnant with their first child.

In Underworld: Evolution, the world of Vampires and Lycans has become rather messy following the events of the first film. Everyone is running around like chickens with their heads cut off, and Selene (Kate Beckinsale) and Michael (Scott Speedman) are on the run from both sides. Meanwhile, the last of the vampire elders, Marcus (Tony Curran) has decided to wake up and use the kerfuffle as an excuse to go on a rampage.

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