Horror Headlines: Tuesday July 14th, 2009

New concept posters for "Let Me In", Matt Reeves remake of the Swedish vampire film "Let The Right One In". Not a whole lot to latch on to at this point considering they haven't even cast the roles yet, but they're semi-interesting if you're invested in how this will turn out.

"Gatekeeper" is a "zomcom" (their words) starring Lea Thompson, Judge Reinhold and Ron Perlman. It has a great cast, but their selling point is sure to make you cringe, "Shaun of the Dead" for American audiences... because you know, us stupid Americans can't watch a movie with British accents (?)

Platinum Dunes will be revealing something big for "A Nightmare on Elm St." at comic-con this year. In his blog, producer Brad Fuller also calls you an "idiot" if you don't think anyone else can play Freddy Krueger. Make your own judgements about his limited vocabulary.

Proably NSFW clip from "Antichrist"... you've been warned.

The first images from Thomas Jane's directorial debut "Dark Country" have surfaced. The film is about a couple who decides to get married in Vegas, but along the way they run into an accident victim who quickly turns their vacation into a nightmare.

Stephen King's "The Cell", which we last heard was NOT being made by Eli Roth, is being adapted into a 4 hour mini-series.

In Real People News: 

Olympian grows tired of asking his parents for money to fund his bid for glory, opens up brothel to raise money. I think we can all agree this guy deserves a golf clap.

I suppose playing porn out of your window really loudly is one way to get rid of the neighbor children. Of course a dirty robe and a baseball bat is usually pretty effective too, but I'm not against innovation.

Texting teen tumbles into manhole, and the parents are trying to sue the city. Luckily they can't sue me for laughing at their dumbass child.

On this day in history: 

1966: Richard Speck slaughters eight student nurses from South Chicago Community Hospital, in what would become known as the first mass murder of the media age.

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