heavy metal

Hopes Die Last wants to grab your attention and not let go. The first vision of the band most people encounter will be their cover art, which is wonderfully grisly and disturbing and gory all at the same time. The album behind that image is a mixed bag of emotions, tempos and styling, built upon an intentionally rocky foundation to keep the listener engaged in the same manner that a high-speed car chase does. Whatever is around the bend remains a mystery until the album is right directly on top of it.

The dichotomy of Hank Williams III can't be denied. He is both living legacy and self-made musician, an ambitious talent who refuses to be penned in by the conventions of any single genre or idiom. Hank 3 is a man who takes joy in his music, and more than anything else, enjoys sharing it with both his friends and his fans. I had the distinct privilege of getting some time to talk to Hank about music, recording and a host of other subjects.

Johnny, rosin up your bow and play that fiddle hard! There’s a new Eluveitie album, which means it’s time to grab your fife and fiddle and head out in the Swiss/Celtic countryside and play your heart out!

After fifteen years, German heavy metal heavy hitters Caliban are still going strong and beginning a new album cycle with “I Am Nemesis.” This album sees Caliban mixing more diverse inspirations into their music and experimenting with mixing in more gang vocals and mosh pit mayhem.

Fresh off the road after a tour with Wednesday 13 and Aiden, vocalist James Vegas of up and coming band Modern Day Escape took a few minutes' rest to talk about the new album, the band's rising star, and what it takes to live the rock and roll dream.

Nothnegal’s debut LP “Decadence” is proof positive that the technological revolution of music sharing has made world a significantly smaller place. Originating in the Maldives, a tiny island nation off the coast of the Indian sub-continent, Nothnegal comes from a land of only three hundred thousand people, and no discernable history of heavy metal.

To call German black metal band Desaster “veteran” is to not be nearly descriptive enough. Desaster, and by extension their iconically idiomatic misspelling, are veterans in the sense that Ray Bourque was a veteran when he finally won the Stanley Cup with Colorado. Desaster has toiled in obscurity, experienced the highs and lows of success and marginalization, the tumult of frequent and varied roster changes, the dedication of valued fans and the prosecution by those who fail to understand, and, in short, has been around the block.

Cocaine Mustache is a hard partying, devil may care, free spirited rock and roll band bordering on metal and high on amps and distortion. The band endeavors to bring the listener a brand of music that is dirty and unrefined; party music for the sake of party music. Despite being a one-speed album, their effort “On the Mirror” is not a flank speed ahead affair. Rather, it is an album designed to plod forward at a sludgy pace, and makes up the difference in speed for size, appearing gigantic and impending over the horizon.

Century Media records signed The Devasted based on a two-song demo. That is an incredible roll of the dice by an established music industry veteran, and a gamble that leaves little middle ground – it will either pay off handsomely, or result in the termination of the label’s association with the band.

Pilgrim’s “Misery Wizard” is an album that pays tribute to doom metal by concentrating solely on the singular root of the genre. Where modern doom metal acts like Candlemass, Type O Negative or Crowbar have injected fantasy, blues or visceral attitude to twist the genre to their liking, Pilgrim has added none of those embellishments.