heavy metal

Album Review: Sepultura - "Kairos"

Probably the last thing that the current lineup of Sepultura wants is to be compared to the classic Sepultura lineup that ran five albums from 1985-96. Yet, heavy metal is a genre terribly stamped by the “what have you done for me lately?” attitude, and to that end, many of the fans of old Sepultura have eyed any of the post-Max Cavalera material with a wary eye.

Album Review: Limp Bizkit - "Gold Cobra"

As a reviewer and music journalist, sometimes the toughest task is to remain impartial and objective about a new project that slides across your desk. I’ve run into this conundrum a handful of times, where I thought I already knew that a band would be great or reprehensible; it’s hard to stifle your natural inclination and judge something on its own merits.

Candid Words With Lazarus A.D. - An Interview

The dust has settled from the release of Lazarus A.D.'s sophomore effort, "Black Rivers Flow." After a tour that took the band all across the United States and Europe, the band has a little time off before striking out on a headlining tour in a couple weeks. Vocalist and bassist Jeff Paulick took some time out to talk with Bloody Good Horror. The refreshingly candid frontman gives us his thoughts on the band, their new album, Metallica, dance music, the state of heavy metal, the music business, horror cinema and sports allegiances in Kenosha, Wisconsin. Suffice it to say, we covered a lot of ground in our conversation.
Critical Reception has been pretty good, how you do feel about the album, and what’s been keeping you busy since release?

Album Review: Arch Enemy - "Khaos Legions"

After the release of the comparatively successful “Root of All Evil,” it became evident from the fans’ clawing that they wanted new material from Arch Enemy, and they wanted it fast. That album’s re-recordings of early AE songs was a fun romp, but only served to whet the crowd’s appetite.

So, “Khaos Legions” comes barreling out of the din, the first new studio material from the band since 2007’s “Rise of the Tyrant” which landed to generally positive but ultimately mixed reviews.

Questions and Answers with Alexis Brown of Straight Line Stitch

It’s been a long road for Tennessee’s Straight Line Stitch, from limited releases to changing lineups to grueling tours in dirty clubs. Now tapped to play as part of the Rockstar Energy Drink Mayhem Festival, the band feels like they’re come over a crest in their career. Taking a minute off from promoting their new album “The Fight of Our Lives,” singer Alexis Brown talked with me about music, women in heavy metal, and a copious amount of horror cinema.
When you released “When Skies Wash Ashore” in 2008, it had been after a long uphill battle for exposure. How does it feel to release “The Fight of Our Lives” already having that installed fan base?
It feels great to have released this latest record after all the bullshit drama we've gone through and experienced, because it's living proof that all our efforts are now starting to really pay off and show fruition. Don't get me wrong, it's still a fight everyday but like in anything it's more so now a fight worth fighting.

Album Review: Autopsy - "Macabre Eternal"

Over all the years, projects, lineups, albums and EPs, Chris Reifert has become nothing if not the picture of consistency. Reunited with original Autopsy members Danny Coralles and Eric Cutler, and joined by Joe Trevisano of Abscess, Autopsy has released “Macabre Eternal,” the band’s latest unapologetic assault on musical convention, trend and quite possibly good taste.

Album Review: Gallhammer - "The End"

Huh. *shrug*

That’s my reaction to Gallhammer’s new album, “The End.” Cut down from three members to two after the departure of Mika Penetrator, the all-girl Japanese metal band has set out to try and push the boundaries of black and doom metal.

What’s become clear about Gallhammer over their existence is that front woman Vivian Slaughter does not give a damn about image, convention or traditional roles. She and the band are much more preoccupied with musical atmosphere and trolling the deep corners and shadowy depths of doom metal.

Album Review: Red Fang - Murder the Mountains

Red Fang’s sophomore effort “Murder the Mountains” is a wonderfully experimental, anything-goes affair that approaches the mores of kick-ass rock and roll with open eyes and robust vitality.

A product of musically oft-overlooked Portland, Oregon, Red Fang inked a deal with reprise Records, and was immediately paired with known producer Chris Funk. Funk’s previous experience with the Decemberists raises some eyebrows, but his steady hand makes a difference on the overall consistency of “Murder the Mountains” without changing the music’s intent.

Concert Review - Danzig

It seemed somehow appropriate that a crowd had gathered for a Danzig show on what Edward Bulwer-Lytton once called "a dark and stormy night." As the winds howled and raged and rain pounded upon gathered concertgoers awaiting admittance, those inside were greeted by the cloaked vestiges of Danzig's staging.

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