heavy metal

As a reviewer and music journalist, sometimes the toughest task is to remain impartial and objective about a new project that slides across your desk. I’ve run into this conundrum a handful of times, where I thought I already knew that a band would be great or reprehensible; it’s hard to stifle your natural inclination and judge something on its own merits.

After the release of the comparatively successful “Root of All Evil,” it became evident from the fans’ clawing that they wanted new material from Arch Enemy, and they wanted it fast. That album’s re-recordings of early AE songs was a fun romp, but only served to whet the crowd’s appetite.

So, “Khaos Legions” comes barreling out of the din, the first new studio material from the band since 2007’s “Rise of the Tyrant” which landed to generally positive but ultimately mixed reviews.

Over all the years, projects, lineups, albums and EPs, Chris Reifert has become nothing if not the picture of consistency. Reunited with original Autopsy members Danny Coralles and Eric Cutler, and joined by Joe Trevisano of Abscess, Autopsy has released “Macabre Eternal,” the band’s latest unapologetic assault on musical convention, trend and quite possibly good taste.

Red Fang’s sophomore effort “Murder the Mountains” is a wonderfully experimental, anything-goes affair that approaches the mores of kick-ass rock and roll with open eyes and robust vitality.

A product of musically oft-overlooked Portland, Oregon, Red Fang inked a deal with reprise Records, and was immediately paired with known producer Chris Funk. Funk’s previous experience with the Decemberists raises some eyebrows, but his steady hand makes a difference on the overall consistency of “Murder the Mountains” without changing the music’s intent.