heavy metal

Album Review: Slough Feg Reissues

Cults are bad things, or so we are told. The connotation that comes packaged with the word is one of evil, the occult, and brainwashed minions blindly following their leader. In that last respect, there is a grain of truth to the attachment of that word to certain bands, the ones who inspire a fan-base supremely devoted to their favorite artist. Slough Feg is certainly a cult band, if we put it in those terms.

Album Review: Stone Magnum - Stone Magnum

When entering blindly into an album, the descriptions we use to categorize the music we hear aren't always good enough. Specifically, when we talk about doom metal, we neglect to mention that there are two radically different approaches to doom, a forked road that may take us to the promised land, but may also take us directly to hell. On the one hand, we have the doom bands that treat doom as the icing on the cake, spending most of their time playing a hybrid of traditional and stoner metal, merely a bit slower than usual.

Album Review: Vex - "Memorious"

Texas hardly seems like a hotbed for progressive or technical death metal, but rising from the Lone Star State is Vex, a band that would sound more at home among the ranks of Darkthrone or Absu than Pantera. Their newest release, “Memorious” attempts to bridge the difficult gulf between the distanced ideals of both death and prog as we commonly know them.

Concert Review: Graveyard

What kind of a show was Graveyard? Allow me to set the scene. After driving two hours to Boston, my wife and I were greeted by temperatures hovering right around the zero mark, with a persistent wind that just wouldn’t let up. We were in the middle of the most rugged cold snap the Northeast had witnessed in at least two years, and the car whined much of the way about having to perform under duress. Simply walking to and from dinner was a chore, and we knew immediately that windburn had damaged the unprotected portions of our faces.

Album Review: Nightfall - Cassiopeia

One of the sad facts about music is that there is simply too much of it. There's too much for us, as fans, to be able to hear even a fraction of what's out there (trust me, I hear more than my fair share, and even that is a mere pittance compared to what is released) in our quest to find the next album that will speak to us on untold levels. The same is true for musicians, for whom there is too much music to compete against for their work to stand much of a chance of reaching the people to whom that music would speak on those levels.

Album Review: Fall City Fall - "Victus"

As a reviewer, when you listen to an album, you are invariably struck with a first impression. It’s impossible not to be, as this kind of reactionary assessment is simply part of human nature. The need for thoroughness typically prevails however, and you end up listening to the album again, attempting to attach your first impression to the lathe and hone it down to something that isn’t a cumbersome generality.

Album Review: Deceptor - "Chains of Delusion"

Thrash metal from England. Think back for a second. Have you ever, in your life of musical fandom, heard or used that phrase? Probably not, and Deceptor is willing to admit the same. For all the legendary history of English metal, from Sabbath to Maiden to Priest and Venom, all have danced around thrash, many have had a hand in shaping it, but none have waltzed with it. So, Deceptor takes the banner for English thrash and leaps headlong into the fray with their new effort “Chains of Delusion.”

Album Review: Resolution 15 - "Svaha"

It’s easy to say that “Resolution 15” is a thrash band, but it’s harder to pinpoint the “how” of it all. While the band’s roots are firmly planted in the rich earth of thrash as we know it, the inclusion of electric violins in place of the traditional guitar immediately make their music an eyebrow-arching concern.

Yet, the mere inclusion of what could be seen as gimmickry does not an album make, so for “Svaha” to impress, it must bring more to the table than a banner headline about instrumentation.

Album Review: Lightning Swords Of Death - Baphometic Chaosium

Last year was a culture shock for a lot of people, as “50 Shades Of Gray” opened eyes to a world they had no idea existed. Luckily for them, words are a soft initiation into a world they won't be comfortable in. It amused me to see people who would never have thought of such things engrossed in a sado-masochistic fantasy. But then I had a thought; it's not much different than something I've encountered. There's a degree of romantic detachment and masochism that comes along with black metal, a scene I have never been able to understand.

Album Review: Hollywood Undead - "Notes From the Underground"

Following the technically curious remix experiment that was “American Tradgedy Redux,” I resolved to give Hollywood Undead another shot. My logic was that if other musicians could do interesting things with the core music, then perhaps either A) there’s something there I’ve missed, or B) the band could learn and evolve from studying what others have done with their product. So I dove in, clear eyes, full heart, can’t lose as they say in Dillon, Texas.

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