heavy metal

Album Review: Creeper - "Welcome to Room #9"

Now here’s an interesting emergence. Creeper, emerging from the greater Dallas market, is a metal act billing itself as traditional metal. Yet, this isn’t traditional metal as it has come to be defined in recent years through releases from bands like Grand Magus, all of which hail back to genesis acts like Judas Priest. Rather, this is a traditional metal schooled in thrash, death ad speed. It makes one wonder if the genre has evolved far enough, or merely aged enough, where movements once revolutionary are now predominately historical.

Album Review: Hanging Garden - At Every Door

As a new year is at its dawn, a wellspring of hope and optimism will once again flourish, the belief that the coming year will be better than the last. It's natural to think that things will get better, that something grand and great will be coming down the line to lift our spirits. It's why we celebrate the coming of a new year, when it's really an arbitrary delineation of where we happen to be in a never-ending orbit.

Top Ten Albums Of 2012

This year proved to be an interesting one for me as a music fan, and not just because it marked my official foray into the world of criticism. After a few albums in the last several years began the trend, this was the year that prog became a larger presence in my listening. While not all of them will appear in the following list, there were more prog albums I enjoyed than any other subset of rock and metal, a fact that caugth me off guard. But when confronted with solid albums from bands like The Flower Kings and Affector, which didn't even make the list, and followed up on with those that did qualify, it was a banner year for prog. None of the albums will top my list, as Dream Theater did last year with their incredible “A Dramatic Turn Of Events”, but this year was defined, in my mind, by prog.

2012 in Heavy Metal and Rock: A Discussion

To begin our week capping off the musical year that was in 2012, Chris and I decided the first thing we should do was sit down and figure out what this year was, what its trends were, what it means for the future, and who the superstars were. We had come from two very different 2012’s in metal (if you haven’t noticed, we have different tastes,) so we decided to get some things down and see if a lengthy discussion couldn’t iron out what the final verdict of the year was. Also, we named the BloodyGoodHorror.com Album of the Year, so you’ll be sure to want to see what our pick was. Read on for the spectacle that was M.Drew/Chris C II!

Album Review: Humanity Delete - Never Ending Nightmares

Earlier this week I talked about Rogga Johansson's Megascavenger, and here we are a few dyas later discussing yet another of his projects. This time out, Humanity Delete graces us with their debut album, though any such comments are laughable considering the amount of material Rogga has released both in his career, and this year alone.

Album Review: Megascavenger - Descent Of Yuggoth

It wasn't that long ago I was reviewing Revolting's “Hymns Of Ghastly Horror”, the latest album from the latest band culled from the never-ending death metal mind of Rogga Johansson. Having not paid much attention to the death metal scene, I already felt like I was being overloaded with material from him, and now comes yet more music from the most prolific artist working in metal today. Megascavenger continues Rogga's tradition of never stopping, never letting up, never thinking enough is enough.

Album Review: Sons of Aeon - "Sons of Aeon"

Sons of Aeon is a sort of death metal supergroup, born from active parts of Ghost Brigade, Swallow the Sun and a couple others. In pre-release press, the band says all the right things, talking about the influence of death metal pioneers like Bolt Thrower and Napalm Death. The band goes on to describe their aversion for albums put through the production wringer, talking wistfully about the days when drums were played by a human being and not re-tracked by heartless machinery.

Album Review: Sonic Pulse - "Lager Than Life"

Take a look at that cover art. Look at it again. One more time. If you are left with any uncertainty whatsoever as to the kind of heavy metal album that Sonic Pulse has released, then you simply are being myopic.

Heavy metal cover art has seen some small evolutions over the years, but these are mainly cosmetic, as the iconography has bent and waved to the whim of culturally pleasing aesthetics in the moment. What remains paramount is that metal cover art must, by genre-dictated norm, conform to one of four principles:

1) Heavy-handed demonic imagery

Album Review: Fullforce - Next Level

One of the things that irritates me about the metal scene is the habit of making everything sound like a bigger deal than it really is. I'm referring mostly to the incessant need to label any project that features people who have been in other bands as a 'supergroup'. The bands that actually deserve to be called that are exceptionally rare, and the cluttering of the scene with dozens who wrongly wear the moniker only serves to make me even more upset when the end result turns out to be lackluster.

Album Review: Diagonal - The Second Mechanism

Progressive music walks a fine line for most of its existence, trying to balance the gratification musicians garner from playing difficult and involved compositions with the gratification listeners need to be able to elicit from those same songs. Finding the right mix of challenge for the player and fun for the audience is a bit of a magic trick, not unlike pulling a rabbit out of the hat. There are a few bands who have been able to marry the popular and the insular, but the numbers who manage to do so are few and far between. It's the nature of the beast.

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