heavy metal

Album Review: Altar Of Oblivion - Grand Gesture Of Defiance

There are times I wish I had been able to see and experience the development of metal in the 80's firsthand. Being able to follow the genesis and growth of the nascent sound as it started splintering off into the subsets we know today would have been the best of all worlds. To be able to hear everything, but have it still be closely enough rooted to the traditions that started everything is something I admit with sorrow I can never quite understand.

Concert Review: Kreator, Accept

Walking into the venue for Kreator and Accept, there was a feeling that washed over the entire experience. To quote Henry Rollins, it felt like “another Saturday night in old Deutschland.” There was everything one would expect from a tour trumpeting two of Germany’s most prominent and standard-bearing thrash bands; high-speed metal revival, fans who haven’t had a haircut since the Berlin Wall came down, and very few women. Fewer than normal at a metal show, and that’s saying something.

Album Review: Attika 7 - Blood Of My Enemies

Some musical reinventions are necessary, while some of them seem to come out of nowhere. Musicians, for all the time we spend thinking about them in abstract terms, are artists, and they by definition cannot recreate what has already been done. Approximations can be made, but there will always be a different creative spark inciting the next work. No amount of careful copying can perfectly replicate what we've already seen or heard. That means at some point every musician has to accommodate change, whether it be a shift in taste, or simply the process of aging and gaining experience.

Album Review: Revolting - Hymns Of Ghastly Horror

Rogga Johansson is the closest thing we have to a death metal machine. Even in a world where bands swap members at random, and everyone has multiple projects, the amount of projects he has put his name to is staggering. You would think that after enough time has passed, there would come a point where the need and the inspiration to continue making mountains of old-school death metal would wane. The amazing part is that we have yet to reach that point, and we may never will.

Deeper Than The Average Band: Talking To Monsterworks

Monsterworks is the kind of band you want to root for, a group of underdogs bursting with creativity. Their music blends countless sounds and influences into music that is utterly unique. No one else sounds like Monsterworks, which is a statement fewer bands can make with each passing year. Their latest work, the EP "Man: Instincts", contains three masterful tracks culled from their upcoming "Album Of Man". Singer/Guitarist Jon took time recently to talk about the band, their music, and how it all comes together.
Can you start off by telling people who may not have heard of Monsterworks a bit about the band?
Monsterworks is a London based heavy metal band. It started off in New Zealand in the late 90s but relocated to the UK about 2002. So....as an entity it has been going quite some time now.

Album Review: Hammer Fight - "Hammer Fight"

There’s nothing spectacular about Hammer Fight’s new CD “Hammer Fight.” But, there’s nothing wrong with it, either. Their album blows through town in a hurry, able to be listened to twice in the time it takes to listen to most albums once.

Album Review: Just Like Vinyl - "Black Mass"

Just Like Vinyl’s “Black Mass” can’t quite decide what it wants to be. The album is caught in the void between acid-wash screamo punk and jagged-edged alternative metal. The record aims for the middle, shooting for a cut-with-scissors feel in the vein of At The Drive-In. While “Black Mass: successfully replicates the feel of those too-long-gone college radio classics, that’s all it does; replicate.

Album Review: Gypsyhawk - Revelry & Resilience

Whatever happened to rock and roll? There was a time when rock bands ruled the world, selling out stadiums and lighting the imaginations of music fans everywhere. Rock music was about having a good time, celebrating life, and enjoying the hell out of the moment. But somewhere along the way, we all decided we were too cool for that anymore, and we needed to move on to more artistic endeavors. Merely playing music and having fun with it wasn't good enough, everything had to push boundaries and break new ground.

Album Review: Admiral Sir Cloudesley Shovell - "Don't Hear It...Fear It!"

Throughout human history, whenever a cultural force rises to prominence, there is inevitably a counter-movement that rises to meet it. The Roman Empire had the numerous Gothic tribes, Persia was met by the Mongols, the British Empire squared off with various revolutionaries over the centuries, and the New England Patriots are seemingly opposed (and thankfully stymied,) by the New York Giants. Such is the irresistible yin and yang of the universe, the powerful but delicate balancing act of nature.

Album Review: Dublin Death Patrol - "Death Sentence"

Bay Area super team-up Dublin Death Patrol, that singular commiseration of well-known thrash superstars, has produced a second album to follow up their debut “DDP 4 Life.” Beginning with Testament vocalist Chuck Billy and former Exodus lead singer Steve Souza, this heady collaboration has presented the world with “Death Sentence.”

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