heavy metal

Album Review: Potential Threat SF - "Civilization Under Threat"

At the rate these albums have been coming out, I need to either invent a time machine so I can go back to 1983 and learn to love thrash, or stick my head in the sand for another three years until a new trend is established. The number of thrash albums hitting these days is astounding, considering how the genre was all but dead until The Big 4 came out of hibernation. It's great news for adrenaline starved fans, because nothing can pump the blood like good ol' thrash can, but it's slightly less inviting for people like me who have never been filled to the brim with youthful bile.

Album Review: The Black Dahlia Murder - "Everblack"

One of the first rules of journalism is that the story should never be about you. Attention should always be focused on the subject or action of the piece, with the reporter acting only as narrator. We here at Bloody Good Horror pride ourselves on trying to keep to that rule, only allowing our personal experiences to color articles as a product of our editorial insight (or lack thereof, as I’m sure my readers have at least occasionally believed.)

Album Review: Megadeth - Super Collider

In the annuls of heavy metal, I don't know if there has been anyone more frustrating to be a fan of than Dave Mustaine. Megadeth's run of early albums established him as one of the mainstays of American metal, but the last twenty years have been a see-saw of highs and lows, continually baffling anyone who tries to get a handle on what Megadeth is, and what they're about to be. Mustaine's injury that led to the disbanding of Megadeth came at a perfect time, as the band had hit rock bottom. The well had run dry, and the fans were ready to give up on the melodic rock Megadeth had become.

Album Review: Evile - "Skull"

Despite all its loudly orated trappings to the contrary, metal is very much a genre that embraces the ideas of tradition and legacy. This really isn’t that surprising; all counter cultures recognize their own, and scrutinize members’ inclusion based on a selection of worthy criteria. In this sense, counter-cultures and underground movements aren’t at all different from the mainstream institutions they rail against, which is a sort of cruel, unyielding irony.

Airbourne – “Black Dog Barking”

Every generation needs an AC/DC. Despite losing their original lead singer, Bon Scott, in 1980, AC/DC has managed to hang around for a few generations thanks to replacement Brian Johnson. However, with guitarist Angus Young getting dangerously close to 60, there’s something about him prancing around in a schoolboy outfit that has lost some of its original appeal. That isn’t to say AC/DC has lost their touch, they’re still one of the most entertaining live acts in the world, but when the time comes to officially pass the torch, no band is better suited for the handoff than Airbourne.

Album Review: The Devil's Blood - III: Tabula Rasa or Death and the Seven Pillars

I have a lot of respect for bands that know when the time is right to walk away. Far too often we see bands that cling onto life, churning out albums and tours for no other reason than because they know no other life. It's an understandable temptation, but it's one of the reasons being a fan is sometimes difficult. We invest our time and our energy in the music, only to find that the bands aren't doing the same. The Devil's Blood has taken the other route, choosing to walk away before the release of this, their third and final album.

Album Review: Kylesa - Ultraviolet

There are a lot of aspects of the current rock and metal scenes that I just don't understand. Unless a band fashions themselves as a throwback to the past, there is a gravitational pull to include ever increasing amounts of extreme elements into what used to be normal rock. Today, bands like Mastodon and Baroness are considered mainstream, when my ears tell me there's nothing inviting about the majority of the sounds they conjure up. The need to scour the songs, to remove any trace of shine from them, is a train of thought I have never been able to board.

There Before Me Was a Pale Horse: A Conversation With Sal Abruscato

Brooklyn, New York, for a long time, was one of the foremost scenes in all of heavy metal. Generally characterized in alternating turns by sludge, sleaze, doom and camaraderie, the city gave rise to some of the most influential metal acts of the '80s and '90s. Chief among them were Type O Negative and Life of Agony, both acts featuring New York veteran Sal Abruscato. Sal has returned with a band all his own, releasing a second album with A Pale Hose Named Death, and hopes to keep the spirit of Brooklyn metal alive. Here to discuss his album, his band, his history and pizza, is Sal Abruscato.
M.DREW: Tell me about your new album; Is there an evolution of sound between “All Hell Will Follow Me” and “Lay My Soul to Waste?” What’s new for the fans out there?

Album Review: Age of Taurus – “Desperate Souls of Tortured Times”

In 2009, vocalist and guitarist Toby Wright formed Age of Taurus as a one-man studio project. After self-releasing the demo “In the Days of the Taurean Empire” in 2010, Wright’s project quickly grew in popularity and received numerous stellar reviews. Eventually there was enough interest in Age of Taurus to turn it into a real band. That’s where guitarist Alastair Riddell, bassist Richard Bruce, and drummer Darius Claydon come in.

Album Review: Church of Misery - "Thy Kingdom Scum"

We’ve been talking a lot lately about the revival in traditional metal and the rise of bands that embody the blues-doom spirit. Consequently, we’ve had the conversation about whether it’s fair to constantly make Black Sabbath the default analog for all these bands, or whether that’s simply the lazy way out. In the case of Church of Misery, we see a traditional doom band from Japan who has made it their sole career aspiration to be compared to Sabbath, openly idolizing the Birmingham legends and simultaneously declaring themselves “unworthy” of their metal gods.

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