heavy metal

Music Ignites the Savages in Soulfly - A Conversation With Max Cavalera

Over the course of his career, Max Cavalera has become a name just shy of metal royalty. Beginning with Sepultura, Max has been producing fan-adored metal for over twenty years, and now it's become a family affair. As Soulfly releases "Savages" upon the world, Max is joined in the band by his son Zyon on drums. Filled with notable guest appearances and overflowing with power, "Savages" is just the latest added chapter in Max's storied career. The man himself, the one and only Max Calavera, sat down with me to talk about this new album, the head space he's in, having his son in the band and naturally, Brazilian soccer.
M.DREW: If you could describe where Soulfly is as a band, what would you say?

Album Review: Skeletonwitch - Serpents Unleashed

If I've learned anything about black metal over the years, it's that it's as much about an ethos as it is about music. Black metal has become a philosophy for people who don't understand what philosophy is (I'm a philosopher, so I'm allowed to say that). The legions of black metal bands, and the fans who pledge allegiance to the crusty heaps of brutality they create, use music as sort of a religion. Instead of worshiping a deity, they grovel at the feet of misanthropic noise.

Album Review: Toxic Holocaust - "Chemistry of Consciousness"

Chemistry, or the study of the composition, properties and behavior of matter, was not a favorite subject of mine in school but I do enjoy mixing things together to see what happens. So, lets break out the blender. Combine equal parts thrash, hardcore and punk, add a splash of anger and a generous amount of distortion. Now grind that mother. Pour the mixture into an album cover featuring a syringe-toothed cobra, surrounded by eyeballs and you've got yourself the "Chemistry of Consciousness".

Album Review: Sepultura - The Mediator Between Head And Hands Must Be The Heart

Not being a thrash fan, nor of a certain age, the name Sepultura exists to me as an artifact of history. I've read about the band's tumultuous history, but having not lived through the controversy it created, nor being retroactively interested in the music the band made, I have no opinion to offer on the subject, nor any biases one way or the other to color my opinion on this record. Sepultura, for all they have accomplished, and the legacy they've created, is just another band to me.

Album Review: Soulfly - "Savages"

Consistency is a difficult thing to deliver, particularly over a long period of time. To churn out a high caliber or product over and over again, particularly in the arts, where one must constantly find new inspiration, is a herculean task, and attaining or failing consistency has been the respective hallmark and demise of countless artists and musicians over the last couple centuries. Soulfly, still the bedrock of Max Cavalera's current musical career, has been extremely successful at continually turning out a product that fans will recognize, embrace, endorse and consume.

Album Review: Noctum - Final Sacrifice

When I take a step back and try to figure out what's going on in the world of metal these days, two radically divergent things become apparent. There's a schism going on, with a set of bands trying to move us forward into whatever god-forsaken trend is going to take over the world next, while another set is trying to move us backwards to a time when music was simpler. I tend to cast my lot with this latter group, the bands that ache for a time when 'studio magic' meant making people believe a warlock was helping you record, not a computer playing your parts for you.

Album Review: Death Angel - "The Dream Calls For Blood"

Those who know me know I am a huge fan of so-called old-school thrash. It was the soundtrack of my adolescence and became the outlet for my teen angst and rebel nature. Among the bands who helped destroy my still developing neck was Death Angel. With that background, you can imagine my excitement when the new release from Death Angel, "The Dream Calls For Blood", came across my desk.

Album Review: Monster Magnet - "Last Patrol"

Some things don’t change. It remains difficult to discuss the long career of Monster Magnet without using the word ‘circuitous.’ Born into obscurity in the wilds of New Jersey, Dave Wyndorf’s band toiled for years, eventually landed a major radio hit with “Space Lord,” was on everyone’s lips for twelve minutes, then it faded just as fast as it had come. A period of infighting and lineup shuffling followed, but through it all the name Monster Magnet persisted.

Album Review: Argus - Beyond The Martyrs

I don't like to do so, but Argus is a band that I will forever think of as connected to another similar band. It's not fair to either of them, but Argus and Sinister Realm came about at roughly the same time, I discovered them concurrently, and they play similar enough music on the same schedule that it's hard for my mind to separate the two. Both of them released debut albums I was quite fond of at the time, at the first heights of the traditional metal resurrection.

Album Review: Running Wild - Resilient

Part of me is sad that I missed out on the speed/pirate metal boom that took place when I was too young to know what heavy metal even was. The 80's were the heyday of cheese, and not much was cheesier than a bunch of guys with long hair dressed up like pirates while they tried to play music to make you think they were aggressive. We saw a brief resurrection of the style a few years ago, but in this day and age, the facade no longer works. The world is too cynical for such slipshod gimmicks, which is why Running Wild was laid to rest not too long ago; it's time had passed.

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