With the crest of a new album over the not so distant horizon, Emmure seeks to rally the troops and become a force that can't be ignored. With momentum building behind them, we sat down with outspoken vocalist and songwriter Frankie Palmeri to talk music, his band and general nerdery.
Slough Feg is one of those bands that I should love, but just never find myself listening to. Last year I reviewed three of their early albums as they were re-released by Metal Blade, and despite how much I enjoyed “Down Among The Deadmen”, I haven't found it in regular rotation. “Ape Uprising!” is my favorite Slough Feg record, but again, I don't find myself listening to it very often. I can't explain why, since every time I do, I'm reminded of how great a band Slough Feg can be.
The common album cycle these days tends to run two or three years. A band composes a selection of music, rehearses it, perfects it, records it, masters it, markets it, releases it, tours on it. Probably twice. Wash, rinse, repeat.
Thus far in the supergroup’s experimental life, Adrenaline Mob has been a frustrating example of the total being mysteriously less than the sum of its parts. Upon hearing their first record “Omerta,” the idea of prog luminaries Russell Allen and Mike Portnoy being able to make downbeat, two-step rock and roll seemed plausible, but incomplete. Logic dictated that the musicians in question must have the know-how to produce this music, so the up-and-down effort had to be a product of not having enough time to gel, or simply not feeling out the songwriting process.
Normally, I'm not one who goes for gimmicks in music. I find them tacky, and mostly useless appendages that try to mask a band's deficiencies. Taking a cookie-cutter band and dressing them up in stupid costumes, or writing lyrics about only one subject, doesn't make them any more special. Gimmicks usually expose the band's shortcomings, because the obvious facade only draws attention to their perceived need to distract. I can think of very few bands with a gimmick who have managed to keep my interest, because a gimmick alone is going to get old after a while. Yes, even if you're GWAR.
I'm not one to actively seek out so-called "symphonic metal" bands but if I were Holland is the first place I'd start looking. I am part Dutch on my maternal Grandfather's side but I've never been to Holland. My question is "what in the world is happening over there?". A word of warning to the rest of the world - If you're thinking about getting into the symphonic metal game, you've got your work cut out for you. The Dutch metal band Within Temptation has nailed it with their latest album "Hydra".
In 1991 in Poland, Behemoth was formed. Capitalizing on the momentum and popularity of Venom and learning from the mistakes of Mayhem, Behemoth became the logical extension of Venom’s musical trend – more expressive, more visceral, darker and dirtier. Behemoth also became the answer to an intellectual question about metal – how far down this path can we go? How scary and vulgar can metal be and still attract an audience? For years, Nergal and his compatriots answered that call and laid claim to the throne of extreme metal in Europe.
Every genre goes through fallow periods, where the bit hits stop coming, and eventually people stop paying attention. After years of being one of the most visible forms of metal, metalcore had found itself in one of those valleys, with declining interest in the bands that were still waving the flag proudly. Last year, however, metalcore got a welcome surprise in he form of a reunited Killswitch Engage, which not only reminded people that metalcore was still around, but put out a legitimately great record.
I really enjoy discovering new music, both from bands who have been around for a while and bands who are just starting out. Finding a band at the start of their career and following them as they ride the wave that is the music business is incredibly rewarding for me. Not to brag (well, maybe just a little) but I had the good fortune of hearing 311 (remember them?), Korn and Kid Rock before they hit the big time. This week I was given the opportunity to review the latest album from Denver's own Red Tide Rising.
At first blush, MaYaN’s new album “Antagonise” seems like an exercise in formulaic death metal with some melodic tangents, not so different from Soilwork, Susperia, Hypocrisy and a million different also-rans. Do yourself a favor; don’t let the first blush be your only consumption of MaYaN. There’s a lot more going on here than the initial impact alludes to.