The audience at the Metropol Theatre in Berlin settle into their seats, crack open a Coca Cola, and prepare themselves for a little horror film. What they didn't prepare for, is to have the theatre become their own personal hell on earth-- run rampant with obscene, ultra-violent DEMONS.
I like all sorts of music, from jazz to early rock and roll to standards to metal. And, when it comes to metal, I particularly enjoy metal with a groove. For our purposes we'll call it "bop-metal" (yet another sub-genre?).
If “Jurassic Park” taught us anything (and it most definitely did!) it was that ‘life finds a way.’ As the calendar reached the close of 2013 I noted one odd quirk in that musical year – my year end accolades did not contain any album that impressed me with the sheer volume and ferocity of its p
The thing I love about self-proclaimed progressive music is that I never know what to expect. After listening to enough albums, it gets to the point where it's not hard to see where bands are going (especially new bands) after a couple of songs.
By now, you all know the rules, but here’s a one phrase recap: New studio records only. Also, like a classic Spinal Tap joke, I went to eleven this year. What can I say, I couldn’t narrow it down farther from that. It happens. Let’s get started.
M. DREW: I'm still not entirely sure what to make of 2013 as it winds down, except to say that I think it was an excellent year for metal overall. Yet, the complication arises in that I can't pinpoint one single facet that was better or worse than the others.
Attentive readers have heard Chris and I talk a lot this year about the preponderance of retro metal bands channeling dark blues into the metal furnace. One of the movement's vanguard, and one of the bands who really gets it, is Noctum. Here to explain himself, his band and their release "Final Sacrifice," is drummer Fredrik Jansson.