album review

Album Review: Megadeth - "Th1rt3en"

"Th1rt3en," the latest offering from heavy metal titans Megadeth, is both a study of what Megadeth has been and could be. It is a self-contained road-map of Megadeth's past aggressions, present explorations and possible future.

Album Review: Cradle of Filth - "Evermore Darkly"

“Evermore Darkly” is slightly thin as a companion piece to “Darkly, Darkly, Venus Aversa,” but that doesn’t mean it is without value.

Comprised mostly of re-cut or re-imagined tracks from the main album, “Evermore Darkly” presents the known cuts from that album in a style that is less abstract. “The Persecution Song,” is reworked in a way that makes the song more accessible while not losing its original pounding, or the effect of Paul Allender’s off-kilter, rangy guitar.

Album Review: Behemoth - "Demonica"

Behemoth. A name that carries a lot of weight, and a lot of stigma in metal circles. Considered the fathers of the Polish death/black/extreme metal scene, Behemoth has been both the center of celebration and consternation for over two decades. Cited on a 2007 list by Polish officials of artists who allegedly promote murder and Satanism, Behemoth is no stranger to controversy.

Album Review: Lou Reed/Metallica - "Lulu"

My word.

The internet has been fairly aflame since the announcement of the cooperative effort between Lou Reed and Metallica, two titans of their respective genres. Cynicism and hope ran high, the backs of necks bristled with both anticipation and fear. As more and more copies were released, and the web stream was opened to the public, the album took on notes of trouble. Soon, the clear skies above the album and its accompanying concept has turned black with a hurricane of vitriolic reviews and crushing waves of critical disdain.

Album Review: This is Hell - "Black Mass"

To say that I was less than enthused about putting This Is Hell's "Black Mass" on my 'to-do' pile is probably an understatement. The band's press speaks volumes about the prowess of this evolving hardcore crossover band that lays down sobering, realistic lyrics....snore. I felt like I read those exact words about Hatebreed in 1999. Which only made me more withdrawn from the album. After all, hardcore has never truly died, but the last decade has seen a precipitous fall in both quality and popularity of the once crowded genre.

Album Review: Hammers of Misfortune - "17th Street"

The reputation of Hammers of Misfortune precedes them, even with all the tumult and lineup changes over the years. With only two original members remaining and two new additions on this latest effort, cynical fans might expect that the halcyon days of Hammers of Misfortune are over. Yet, they soldier on with "17th Street," the band's fifth official studio release. The band's press tells you that this is an album blending elements of doom metal, progressive rock, NWOBHM, and probably a dozen other long-winded buzzwords.

Album Review: Five Finger Death Punch - "American Capitalist"

Balanced on the precipice of widespread fame with the engine running, Five Finger Death Punch has released their third album, “American Capitalist” to the world. There are certain universal truths of all 5FDP releases, and those haven’t changed; Zoltan Bathory and Jason Hook’s combined guitars will push the envelope for grit and distorted destruction, while the rest of the band operates in that framework. Additionally, the songs will be brimming with concepts of spite, defiance and personal perseverance.

Album Review: Jane's Addiction - "The Great Escape Artist"

This is Jane’s Addiction. Or is it? Truly, it depends on what the name “Jane’s Addiction” means. If the name is synonymous with west-coast style funk influenced near-psychedelic alternative rock and roll, then “The Great Escape Artist” is not Jane’s Addiction. Contrarily, if the name “Jane’s Addiction” is less about the serialized sound of a band and more about a cadre of musicians constantly looking to experiment and broaden their aural horizons, then “The Great Escape Artist” is perfectly adept at carrying the umbrage of the title “Jane’s Addiction.”

Album Review: Charred Walls of the Damned - "Cold Winds on Timeless Days"

Ripper Owens, the mercenary singer for hire, gives the impression that he's a man trying to prove something. His tumultuous career began while filling in for Rob Halford's sabbatical in Judas Priest. He carried that into a spin with Iced Earth, and then was the singer for Yngwie Malmsteen (and is reported to be again.) An album with Beyond Fear and a solo project thrown on the pile for good measure, and Ripper has been around the block at least once.

Album Review: Rose Funeral - "Gates of Punishment"

More work to do. That's was my initial and lasting impression of Rose Funeral's "Gates of Punishment." The band prides themselves on their unique character of groove-based death metal, but that quality doesn't come through quite like the band would have you believe.

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