Features

Following the news on Sunday that horror maestro George A. Romero had passed a group of BGH staff felt compelled to share some thoughts and experiences with the filmmaker’s work. As expected we remember his iconoclastic and prescient approach to the genre while also contemplating how his films function like a scrapbook clocking our horror education.

When it comes to watching either version of The Beguiled, whether it is Don Siegel’s adaptation from 1971 or Sophia Coppola’s vision of the novel, I recommend having few expectations.

Here at Bloody Good Horror we spend much of our time talking about good movies and bad movies alike, and picking apart the things that place titles in either category.

Here at Bloody Good Horror we spend much of our time talking about good movies and bad movies alike, and picking apart the things that place titles in either category.

Here at Bloody Good Horror we spend much of our time talking about good movies and bad movies alike, and picking apart the things that place titles in either category.

Here at Bloody Good Horror we spend much of our time talking about good movies and bad movies alike, and picking apart the things that place titles in either category.

Turning the page on what can only be described as a freakshow of year, we here at BGH have taken some time to reflect on the horrors that shaped 2016. Cinematic horrors, of course. We can't even bear to look at a newspaper these days!

Here at Bloody Good Horror we spend much of our time talking about good movies and bad movies alike, and picking apart the things that place titles in either category.

Here at Bloody Good Horror we spend much of our time talking about good movies and bad movies alike, and picking apart the things that place titles in either category.

This month Jayson and I take a trip to the 'Tree House of the Mind' to investigate which Horns is better; the original from Joe Hill or the 2013 film adaptation by Alexandre Aja.