Most of us need not see the horrors of pledging to a fraternity or sorority in a movie to assume it's a degrading nightmare of dehumanizing embarrassment and psychological torture. Daniel Robbins' Pledge certainly doesn't reinvent the cinematic portrayal of frat initiation, but he does inject a fresh perspective through a decidedly more extreme low-budget vision. 

Nightmare Cinema is a new anthology film spearheaded by Mick Garris, the horror architect behind television anthology series “Masters of Horror” and “Fear Itself” in the early 2000's. The intent of Nightmare Cinema is to adopt that format with a focus on international voices. The film presents shorts by filmmakers from Argentia, Japan, the UK, and America. As a whole the anthology fits together pretty well, with the wrap around segment highlighting the importance of a diverse horror landscape.

Religion almost always takes one to the chin in any horror movie that decides to use it as a tool. The Devil's Doorway is no exception. Female filmmaker Aislinn Clarke doesn't just throw a wicked haymaker at the long dark history of religion that no one wants to talk about, but drop-kicks it in its tender bits on the way down.

Before its official release, Jeepers Creepers 3 had a great deal of controversy surrounding it. With its director being monitored for child abuse allegations, it appeared the third entry in the series was not going to make waves, even if it ended up being a masterpiece. Looking at the film objectively and without the lingering moral issues of its creator on my mind, I can attest that Jeepers Creepers 3 is not only a terrible film, but it is a lesson in how to make something far, far below mediocrity.