Andrés Muschietti

"Mama" director Andres Muschietti is apparently in talks with the folks over at Universal to take on the directing role of the upcoming "The Mummy" reboot. No real details have come out about the film but it will take place in modern time and the cast from the previous films will not make an appearance. You ever see that episode of "Seinfeld" where Elaine takes the Asian woman from her nail saloon to see "Rochelle Rochelle" but Bette Midler isn't in the show that night and they freak out? That's me right now but replace Bette Midler with Brendan Fraser.

The good folks over at Magnolia Pictures are on the verge of striking a deal that would land them the rights to Ti West's "The Sacrament". A new found footage film, "The Sacrament" follows two reporters as they try to escape from a community outside the US after one of their sisters turns up missing. No word on when or how the film will be released but for the first time I'm going to go ahead and say I think a Ti West movie sounds interesting. Now who wants a hug?

Sean S. Cunningham, the fella who directed the original "Friday the 13th", has dropped word that he expects a new F13 film to see the light of day sometime in 2015 if all goes according to plan. He also let out that the movie will not be a continuation of the 2009 remake but will in fact be a new story. I don't know if that's good or bad but I suppose it's best to keep positive right? Seriously, someone hug me. I just want to be loved.

6 year old Kennedi Clements has landed the role of Madison in the upcoming "Poltergeist" remake. For those of you keeping score at home this is the Carol Anne role from the original movie. So ya know, good luck sleeping at night for the rest of your life Kennedi. Also, what are your parents doing letting you read this website?

Mama marks the feature film debut of director Andrés Muschietti. Inspired by his short film of the same title , Mama revels in archaic horror tropes; favoring the terrors of primordial nature, feral humanity, madness, ghosts moaning in the night, and the return of the repressed. The film is drenched in fiercely aggressive shadows, tightly framed locations, and more than a handful of scenes involving scuttling figures climbing across floors and walls.