heavy metal

Even with a fractured landscape, there are bands that persevere for ages without gaining the acclaim many believe is deserved. Though hyper-categorized, too many bands fall under each label for all of them to make an impact. It's unfortunate, but reality cannot be denied.

For a band that’s been around more than a dozen years, there’s precious little information available about Witchcraft.

Few names in heavy metal resonate the way Chuck Billy's does. He is and has been one of the fathers of metal, a true-to-form vocalist of remarkable consistency and dedication to craft. Chuck has been a point for fans to rally around, either to carry the banner for metal, to not forget the halcyon days, or even to give cancer the finger. Over roughly thirty years, Chuck and his band Testament have been to hell and back again, surviving the changing times and lineup changes, all the while producing the same high caliber of original Bay Area thrash. We were honored to talk to Chuck Billy about his new album (both of them,) the Big 4, microphone stands and whether or not this legend has ever thought of hanging it up.

There are times I wish I had been able to see and experience the development of metal in the 80's firsthand. Being able to follow the genesis and growth of the nascent sound as it started splintering off into the subsets we know today would have been the best of all worlds.

Walking into the venue for Kreator and Accept, there was a feeling that washed over the entire experience.

Some musical reinventions are necessary, while some of them seem to come out of nowhere. Musicians, for all the time we spend thinking about them in abstract terms, are artists, and they by definition cannot recreate what has already been done.

Rogga Johansson is the closest thing we have to a death metal machine. Even in a world where bands swap members at random, and everyone has multiple projects, the amount of projects he has put his name to is staggering.

Monsterworks is the kind of band you want to root for, a group of underdogs bursting with creativity. Their music blends countless sounds and influences into music that is utterly unique. No one else sounds like Monsterworks, which is a statement fewer bands can make with each passing year. Their latest work, the EP "Man: Instincts", contains three masterful tracks culled from their upcoming "Album Of Man". Singer/Guitarist Jon took time recently to talk about the band, their music, and how it all comes together.

There’s nothing spectacular about Hammer Fight’s new CD “Hammer Fight.” But, there’s nothing wrong with it, either. Their album blows through town in a hurry, able to be listened to twice in the time it takes to listen to most albums once.

Just Like Vinyl’s “Black Mass” can’t quite decide what it wants to be. The album is caught in the void between acid-wash screamo punk and jagged-edged alternative metal. The record aims for the middle, shooting for a cut-with-scissors feel in the vein of At The Drive-In.