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Cinematic Titanic Presents: The Wasp Woman
1999 brought upon us the end of an eleven year era; the end of “Mystery Science Theater 3000”. Beloved by many, the show brought to life the art of ‘riffing’ to many a B-Movie that most viewers would never had bothered watching if it wasn’t for Jole and the Bots. Cut to nine years later, and now the original gang is back with “Cinematic Titanic”!
Cribbing from the original formula that worked so well, Joel Hodgson brought together the original cast; Trace Beaulieu, J. Elvis Weinstein, Frank Conniff, and Mary Jo Pehl and set work on ripping on some new old movies. Where Mike Nelson reinvented this niche genre with ‘Rifftrax’, the gang here stuck to what they knew oh so well.
In this, the third release from Cinematic Titanic, they bring to us “The Wasp Woman”, the 1959 Sci-Fi B-Movie (No pun intended) extolling the fears of sexism and age-ism starrring Susan Cabot. This Corman classic is well known and has be included in probably hundreds of bargain bin box sets as its been in the public domain for many years. There’s not much to say on the movie itself; it’s pretty much synopsized completely by the title. (Note: the gang makes a point of this on the DVD too!) There’s not much to review as far as the movie goes; it’s being riffed for a reason. It’s not a stellar movie; it’s fun in it’s zany plot and corny-ness. Despite that, it’s not really the point!
The reason that I’m here reviewing this disk and why we’re buying the DVD is for the laughs. 1999 was a sad year for many when the Bots were put to rest once and for all. With Cinematic Titanic, the bots aren’t back, but their voices are! With all of the original voices returned, it’s easy to forget that you’re not watching MST3K. The humor is the same as ever; it’s funny, it’s lewd, it’s timed well. Much like any given movie night across the country with a group of friends chugging beer and watching a bad movie, it feels natural and familiar. It feels so much like the old days, it makes me nostalgic just writing about it!
The big difference here between Cinematic Titanic and MST3K is the change in silhouettes and formats of the shows. Gone are the cut up scenes cast around commercial breaks, most likely because there are no commercial breaks! This is sad in a nostalgic sense as those scenes were among my favorite things about the show. Be it Joel and the bots with their invention swaps, or Dr. Forrester and TV’s Franks oddball mad scientist schtick, they added just as much to the viewing experience as the riffing itself did. Cinematic Titanic has dropped this all together, although they do add in the occasional silhouetted gag across the bottom of the screen. These work, but not as effective as their original counterparts; this omission doesn’t effect the overall movie experience however.
The riffing still makes up for the lack of scenes or scenery and is still a laugh riot. The silhouettes are a bit disconcerting at first too. The original show had Joel and company sitting in theater seats across the bottom of the screen. In Cinematic Titanic, the five jokesters are set in a more elaborate setup that creeps up the corners of the screen and contains various things like chairs, railings, or podiums. Again, not a real detractor from the disk itself, but…it just doesn’t make sense! The bots and their theater seats made you feel like you were there in the theater with them and was immediately identifiable. Now it’s slightly confusing and doesn’t really mesh as seamlessly. More than anything? I end up feeling uncomfortable for the two guys who spend the entirety of the moving standing up!
“Cinematic Titanic” is the next evolution of MST3K. Mike Nelson’s Rifftrax are fun and a nice continuation; this is the real thing. Being an avid watcher of the original show, (I got KTMA episodes on VHS, for reals.) this incarnation just felt natural. The true test? I watched this on the computer while multitasking. While listening to it in the background, it was easy to forget I wasn’t watching MST3K.
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Mike or Joel?
While the thought of all the original Bots being back is cool, I always preferred Mike to Joel. This is because when I first started watching Mike was the host, so he's the most familiar to me.
I'm also not a fan of when they do these black and white scifi films. To me the film has to have a modicum of campy fun to actually keep my attention, and these usually bore the crap out of me.
I loved when they would do like 80's/90's crap that was in color. The time traveling plane one was amazing, and there was one they did on a Werewolf film that I always loved.
Mike
I liked Mike a lot too, but I started with Joel! In fact, my all time favorite episode is a Mike one, "The Final Sacrifice" from season Nine! If you're fuzzy, think "Rowsdower"! This episode still cracks me up every time I watch it ten years later! That, and it was scary when the whole crew of the satellite of love came down with hockey hair.
For me, the old black & white scifi flicks are campy fun all on their own. They're just so hokey with today's sensibilities they still managed to crack me up along with vaguely fascinating me when looking back at the ideas those filmmakers were coming up with in the 50's.
Rowsdower!!! or Big McLarge Huge?
Love that one! But my favorite has to be 'Space Mutiny' with Reb Brown. It's the hardest I have ever laughed at anything on TV... kudos to the Youtuber who put this together.
Rowsdower!
But.... "Rowsdower has one of screendom's finest rear-ends!"
Hmm, ya
The 50's ones don't do anything for me. I just remembered another MST3K favorite though, Squirm!
They basically just spend the entire ep coming up with funny ways to make fun of the skinny ginger woman that stars in the movie. I think "Moldy twizzler" was my favorite.
Rifftrax
Eric, you should check out Rifftrax. It's Mike and it's modern flicks!
Fuck yeah
I've got to check those out. Mike in all his glory!
I really miss when Scifi used to replay MST3K on Saturday mornings at 10am. It was the best. Go out and get hammered on Friday, wake up in time for the show to start and lay in bed till noon. Aaaah, those were the days.