Not so long ago on these very pages, I remember thinking that Sister Sin’s “True Sound of the Underground” was far too calculating for its own good, attempting to capitalize on the broad and easy target of teenage angst without really offering a solution or an alternative. It was a highly marketable album, but one that failed resonate for anyone of college age or greater.
It's funny to me how the "True Sound of the Underground" sounds suspiciously like the "True Sound of Hot Topic." Everything is a little too arranged, and seems coldly calculated. I wouldn't go so far as to say that the album was assembled behind the soulless doors of a record company marketing meeting, but all the rage and vinegar just seems too convenient.