Sean Byrne

The Loved Ones (REVIEW)

The angst and elation of maturity are the heartbeats of mainstream cinema’s adolescence. Through several decades of teen comedies and horror films there is the consistent playing out of maturation through sexuality, violence (graphic or not), and familial independence. Often genres such as comedy and horror are in themselves perceived as “adolescent” in their form and content. So it is unsurprising—if not appropriate—that such films often find teenagers as their core characters.

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