rock and roll

What kind of a show was Graveyard? Allow me to set the scene. After driving two hours to Boston, my wife and I were greeted by temperatures hovering right around the zero mark, with a persistent wind that just wouldn’t let up. We were in the middle of the most rugged cold snap the Northeast had witnessed in at least two years, and the car whined much of the way about having to perform under duress. Simply walking to and from dinner was a chore, and we knew immediately that windburn had damaged the unprotected portions of our faces.

If you’ve never been to a show at Bridge Street Live in central Connecticut, you’re missing out. The place is essentially a massive ballroom with a corner stage, plenty of table seating, suitably dim lighting and perfect acoustics. The ambiance of the building is set wonderfully in a retro rock and roll motif; art deco and clean design lines run tastefully rampant through the corridors and over toward the bar. It was exactly the kind of place that The Reverend Horton Heat would be expected to play.

If you are a heavy metal fan, Motörhead’s live show is one of those pinnacle “must-haves.” While Lemmy and his cohorts continue to insist that they are nothing more than a rock and roll band, seeing Motörhead live is watching a living oral history of the genesis of heavy metal.

Okay, here’s a brief, inside look at the life of a music reviewer (dare I call myself a music journalist?) You get inundated with music. Positively deluged. So much so that you realize early on you won’t be able to get to it all, even if you have a staff of twenty writers. So, one of the skills you need to develop early on is the ability to discern what projects are worth the time you’re going to spend on them.

Throughout human history, whenever a cultural force rises to prominence, there is inevitably a counter-movement that rises to meet it. The Roman Empire had the numerous Gothic tribes, Persia was met by the Mongols, the British Empire squared off with various revolutionaries over the centuries, and the New England Patriots are seemingly opposed (and thankfully stymied,) by the New York Giants. Such is the irresistible yin and yang of the universe, the powerful but delicate balancing act of nature.

Fame out of nowhere. All-girl rock group Cherri Bomb has gone from the fringe to the main stage through their association with acts like Filter, Rise Against and Billy Corgan. Continuing the trend, the band has attached their single "Shake the Ground" with the biggest movie event in a couple of summers, landing on the soundtrack of Marvel's blockbuster "Avengers." I sat down with Julia Pierce and Miranda Miller to talk about their music, gaining fame early, and being in an all-girl band.

An awful lot of noise. That’s the first gut reaction to “Bloodstreams,” the new full-length album from Australian do-it-all duo DZ Deathrays. For just two people, this is a full-bore effort, ripped from the core of punk’s heart and rock and roll’s soul.

Somewhere between the rock and roll of the White Stripes, the distorted two-beat fuzz of Nine Inch Nails' last album "The Slip," and the cadences of the Gorillaz lies the "No Sleep" EP from upstart Australian power duo DZ Deathrays.
Now, let's not get carried away too early. While the EP contains elements, that doesn't mean it is equal to the sum of all of them. Rather, the DZ Deathrays pick and choose their moments on this five-cut sampling of their talent

Zeroking touts itself as an all-out rock and roll band, but there's more going on here than just that. Based in West Virginia, the band is heavily influenced by the rock and roll ideal of the West Coast, and uses that as a base to launch their curious and devil-may-care mix of rock, piano and brass (or a close facsimile to them,) and down home country twang.

Approximately 11 trillion words have already been written in anticipation of, and response to, Van Halen's new album, "A Different Kind of Truth." Those words have ranged between an instant haranguing under the guise of the album being far too late, and an automatic sterling review as a revival of one of the signature bands of rock and roll's arguably best era.