children of bodom

Speaking to Bodom's Children - A Conversation with Henkka Seppälä

Children of Bodom has always been treated as a work solely of frontman Alexi Laiho. His vocals and guitar theatrics and songwriting dominate each of the band's releases, and "Halo of Blood" is no different. But behind Laiho stands one of the most talented bands working in metal today; adaptable, versatile, heavy, melodic, anything they need to be. Hidden in the shadows of CoB stands Henkka Seppälä, bassist and generally amiable guy. In search of his story, we sat down recently as Mayhem Fest.
M.DREW: Tell me about “Halo of Blood.” It’s the big new thing, it’s your big, new album, what’s its inspiration? What’s the theme?
HENKKA SEPPÄLÄ: The music always comes from the same place. Alexi [Laiho] prepares stuff from his head and then we make songs the same way we’ve always done. Lyrically, he’s dealing more with some personal stuff, with some people who have been losing lately, some good friends. That led to other songs, and songs about losing somebody, which is a new topic for us.

Concert Review: Rockstar Energy Drink Mayhem Festival Part 1

We discussed this last year, but the Rockstar Energy Drink Mayhem Festival remains the preeminent mobile showcase of alternative music of any type. It has been so successful in six years that it has not only overshadowed the Warp Tour, but has spawned a second, smaller circuit, the Uproar Festival. Mayhem Fest is one of those special times of year when all the major and minor metal labels, from Universal and Atlantic to Century Media, Metal Blade and Nuclear Blast and including Victory and Sumerian, join forces to show off their product and give the fans the best possible experience.

Album Review: Children of Bodom - "Halo of Blood"

I’m going out on a limb, here. “Relentless, Reckless Forever” is one of the best fifty albums ever. EVER. And I know I’m going out on a limb by saying that because I know that the other two gentlemen who write about music for this site, whose opinions I very much respect, both heartily disagree with me. But that’s the way I feel, and that was my mindset as I encountered “Halo of Blood.”

The Best Metal and Hard Rock Albums of 2011

Turisas

I have long theorized that music in general works in cycles of twenty to twenty-five years, and that what's old can continually be made new again, like doctoring up that potato salad for one last go-around. To wit, in the 1990's, Pantera, Alice in Chains and the rest of grunge listed their influences as Led Zeppelin, Black Sabbath, Deep Purple and the classic rock of the 70's. In the 1970's, Led Zeppelin and their cohorts listed their influences as Chuck Berry, Blind Lemon Jefferson, and the blues and rock musicians of the 50's.

Album Review: Children of Bodom - "Relentless, Reckless Forever"

It actually takes several listenings of “Relentless, Reckless Forever” to appreciate everything that’s going on. That said, if the listener has the patience to get over the initial confusion of what he or she is hearing, the album’s petals will unfold into a blooming heavy metal flower.

The Top 11 Heavy Metal Albums of the Decade

Okay, with all the recent "best [blank] of the decade" going on, I decided it was high time I got involved. Seeing as how I can only proclaim myself to be an expert in a few things, and "best pork roast recipes of the decade" didn't seem terribly theme appropriate, I got to thinking about heavy metal, as I so often do.

Children of Bodom - "Skeletons In The Closet" Review

Children of Bodom's covers album is both a tribute to artists the band loves, and a tongue-in-cheek mockery of artists they love to hate.

Unlike many of their Scandinavian brethren, Children of Bodom has an obvious sense of humor regarding their particular brand of black metal, and that sense shines through on "Skeletons in the Closet."

Children of Bodom - Concert Review

I was no mood to go to a show. It’s rare that I say that. It was a Sunday night following two hellish weeks at work, with a third on deck. I had no desire to drive the fifty miles round trip to the venue, especially for a band I’d seen before. I needed to sleep.

Still, I already had my ticket in my wallet, and I figured once I got over myself, pried my eyes off of televised football and got my ass to the club, I’d be happier for being there. So, I crammed myself into my car and away I went.

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