album review

Album Review: James LaBrie - Impermanent Resonance

James LaBrie's last solo album, “Static Impulse”, answered a question I'm not sure had ever been asked: what would it sound like if LaBrie fronted Soilwork? Far from his progressive metal roots, “Static Impulse” was a modern metal album in every facet, blending melodic choruses to state of the art riffing and juxtaposed screaming vocals. More than a shock to expectations, the album was a surprisingly effective vehicle for LaBrie, and was better than I could have ever imagined such an effort being.

Album Review: Pillbuster: Pillbuster

It's the simple pleasures that help make life worthwhile. For me, there's the anticipation of listening to a new CD and the impossible wait just before the opening track starts playing. Generally, with my hand on the volume knob, I turn it up for maximum effect. When the first few notes begin there are three possible reactions - "Ooh, that's not very good. Let's try track two", "Eh, that's kind of what I expected" or "Hell yeah!".

Album Review: Deadlock - The Arsonist

Metal is not known for its beauty. It can be many things, beautiful included, but if there is one thing metal is known for, it's stringy-haired heaviness. Metal is not the music of the beautiful people, and we wouldn't love it so much if it was. But somewhere in calculations, the balance needed to keep metal from falling off the edge of relevance gets lost. Hearing as many albums a year as I do, which is still but a fraction, there is a titanic chasm of possibility few bands have jumped headlong into.

Album Review: Falling in Reverse - "Fashionably Late"

Falling in Reverse potentially confirms the small epiphany I had while watching Motionless in White live at Mayhem Fest. Scary though it may seem, perhaps this is a glimpse of one possible future of heavy metal. And I hear the rage boiling at me already, that these bands don’t meet the arbitrarily established criteria of metal. Yet, I can’t ignore the fact that this wave isn’t going away, now in its fourth year (at least.) The make-up and costumes and big hair seem to be back in some form, and the kids just love it. In the end, aren’t they the ones who will define metal going forward?

Album Review: Monster Truck - "Furiosity"

Life experience, viewed through a sort of existentialist paradigm, is an extremely persistent animal. There are certain lessons that life seems bound and determined to teach us, no matter how many times we attempt to ignore the moral. Foremost among those teachings and concurrently the one that is seemingly reinforced most often in our lives is “don’t judge a book by its cover.” It’s a little shameful to admit, but I’ve spent thirty years on this earth and occasionally still have slips in my understanding of this basic tenet.

Album Review: The Winery Dogs - The Winery Dogs

Why are some musicians vagabonds, jumping from project to project in a constant state of motion? There's a cynical answer about the undying desire to find the band that will break through and bring fame and fortune, but for most it has to do with a need to make music. For a certain group of musicians, music is an addiction, something they have to constantly be involved with or else they go crazy. It's hard to separate these honestly passionate creators from the more shrewd businessmen, but every so often the answer becomes clear.

Album Review: Counterparts - The Difference Between Hell And Home

The role and mindset of a journalist is different depending on who you ask. The traditional definition maintains that journalists are supposed to be objective, meaning they should write without the perception of bias. Doing so, however, is incompatible with human nature, not to mention being just about impossible to pull off. Rather, the definition that is coming more into popularity is one where objectivity means understanding your own bias, and writing with that knowledge in mind, so that readers can understand where you are coming from.

Album Review: Sinister Realm - World Of Evil

I've wanted to love Sinister Realm from the first moment I knew of their existence. Somewhere along my travels around the metal universe, I was put on to their debut album, which immediately put me in the middle of my love/hate relationship with the band. Sinister Realm, more than any other of the old-school metal bands who have popped up on the scene over the last few years, has the ability to write great songs.

Album Review: Doyle - "Abominator"

This recent run of popularity for Doyle Wolfgang von Frankenstein comes a little out of nowhere. Doyle’s place in music history is certainly assured, having been a fixture for the Misfits. Yet, Doyle never seemed to possess the stature (gargantuan physical size notwithstanding) to float an entire project by himself and appeared more likely to forever be typecast as Jerry Only’s monolith of a brother. Yet, Doyle has reunited with Misfits legend Dr. Chud and here we are talking about an album with “Doyle” emblazoned across the top.

Album Review: Powerwolf - Preachers Of The Night

Unless you're one of the small number of people who are devout fans of power metal, the term tends to lead you towards the ludicrous. Power metal is an exercise in excess, the kind of metal that doesn't ask why it's so over the top, but rather asks why the top is so low. While there are heavier strains of the music, the common denominator is that it's the kind of stuff 'true' metalheads are loathe to admit they have a soft spot for. To be fair, the reputation for being ridiculous is well-deserved, and Powerwolf wears that like a badge of honor.

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