When I reviewed Blues Pills' “Devil Man” EP last year, I came away from it thinking that they were a rock band that needed to rock less. That sounds odd, but it was their softer songs that floored me, that made me take notice that they were a band with massive potential.
Resurrection is a funny concept and particularly ironic for a band with ‘Judas’ in the name. The idea of coming back from the dead is a totally alien concept in the general human condition, but in music it happens frequently and with reckless abandon.
I listen to a lot of different kinds of music. When it comes to metal, I tend to lean more toward thrash especially if it has a Southern flavor to it. This week's band is not what you would call traditional thrash and it certainly doesn't have a Southern flavor.
Recently, I was embroiled in a debate over the nature of progressive metal. What was at the heart of the discussion was the old schism between prog and Prog, a distinction that has never been fully sorted out.
When one thinks of Australian metal or rock, invariably AC/DC and Jet are the stereotype. Airbourne and some others are in there too, but everybody at this point knows exactly what’s being talked about.
When I say "channel zero", what comes to mind? Is it the Public Enemy song "She Watch Channel Zero"? Or maybe you think of a half-hour sitcom/sketch hybrid about a post-apocalyptic colony that broadcasts a pirate television station in the wastelands near what used to be Glendale.
Let’s face reality right off the hump – coming off the success of “Blood for the Master,” it’s all been on the upswing for Goatwhore, a band of that rare breed that still fervently believes metal is best as a DIY, furious experience.
One of the more unfortunate realities of being a music fan is that the more you seek out great music, the less you will find. There are only a certain number of albums out there that will resonate with you passionately, and expanding your search and listening to more and more records is futile.