Swedish death metal was a wave. An irresistible force that consumed metal as we knew it, blazing a new trail that left ripples across the entire genre and touched every corner and splinter. In the vanguard of that cascade was Soilwork, a hungry band with an aggressive sound. As the years passed, the wave receded, but Soilwork remains, as strong as ever and on the cusp of the release of their double album "The Living Infinite." We talked with vocalist Bjorn "Speed" Strid on the eve of this release about the spirit of his band, the new album and the fortitude it takes to make a double record.
M. DREW: We’ll start at the top. You’ve just gone ahead and put together a double album. What made that the decision for this album cycle?
A double album is one of the riskiest propositions in music. They are not constructed or regarded in the same manner as typical albums; not as a collection of singles surrounded by a supporting cast of others songs, but as marathon stories that must traverse the grounds of mood, message and tone. Double albums must hit multiple notes and resonate at periodic intervals. The truth that must be accepted is that no double album is perfect.