Dee Wallace

In the event you didn’t already know, Dee Wallace is a delight. Attaining popularity through performances in a number of now classic horror films, The Hills Have Eyes and The Howling just for starters, Dee has become one of the totemic genre stars. Her personae is tender, dynamic, and entirely specific to her personality; complete with a comedic sense of self-deprecation and a natural confidence that permeates her roles and extending toward her work as acting coach. Dee was generous enough to give us some time to discuss her career, her latest role in the Asylum mock-buster Hansel and Gretel, and what she hopes to see herself doing in the future.

When Dee Wallace says no, Dee Wallace means no.

The original “The Hills Have Eyes” is a film enshrined in the upper most tier of the cult movie pantheon. It’s a fascinating slice of cinema in that it embodies so much of what makes American movies and in particular American “genre” movies what they are, what they were and what they can be. The film’s brutal narrative punch is still palpable today and it works wonderfully as a companion piece to Wes Craven’s earlier film “The Last House on the Left”, teasing out and further exploring innate, instinctual violence and its relationship to the family and self.