Darkly Darkly Venus Aversa

“Evermore Darkly” is slightly thin as a companion piece to “Darkly, Darkly, Venus Aversa,” but that doesn’t mean it is without value.

Comprised mostly of re-cut or re-imagined tracks from the main album, “Evermore Darkly” presents the known cuts from that album in a style that is less abstract. “The Persecution Song,” is reworked in a way that makes the song more accessible while not losing its original pounding, or the effect of Paul Allender’s off-kilter, rangy guitar.

It takes a uniquely creative mind to be the burgeoning force behind the free-wheeling, exploratory and atmospheric riffs that power the band Cradle of Filth. Paul Allender is that mind and is that man. Recently, I got a chance to fire some questions at Paul concerning his band, his music and his art.

“Darkly, Darkly Venus Aversa,” while ever so slightly different from the other Cradle of Filth albums, is just as eclectic and ranging as ever. Now, let me be clear; the album is all metal through and through, and puts definition to the term “extreme metal.” It’s the mixing of sounds and ominous themes with blast beats and high-handed guitar that gives the album a sense of being just plain different. It’s appropriate that an album telling the story of the fabled character Lilith should range from placid grace to frenetic vehemence.