thrash

Concert Review: Anthrax, Testament, Death Angel

Death Angel is one of the oft-overlooked also-rans of the thrash movement of the early to mid 1980’s. Their name is spoken mostly in the dusty corners of memory, their legacy not as pronounced as so many of their musical kin. To mistake that somewhat faded glory for a lack of talent or acumen, and place Death Angel on the discard pile is a fool’s errand. Death Angel remains a vital and virulent band in this new millennium, and their performance as the first band on the stage was evidence enough that they remain hungry and capable.

Album Review: Megadeth - "Th1rt3en"

"Th1rt3en," the latest offering from heavy metal titans Megadeth, is both a study of what Megadeth has been and could be. It is a self-contained road-map of Megadeth's past aggressions, present explorations and possible future.

Concert Review: Warbringer, Lazarus A.D.

It was in places like this that heavy metal began. A small-time bar out in the sticks with a stage, where the old Peavey PA has a significant hum and half the gathered crowd was there to watch the NLCS. It was in places like this, where billiards tables were pushed out of the way and the walls were undecorated, where bands made their name under dim, yellow-hued incandescent lighting. (Lighting so poor that only black and white photos were exposing properly.) These were, and are, the proving grounds.

Album Review: Warbringer - "Worlds Torn Asunder"

There’s a fair chance that much of this review will seem like a paraphrased version of our journey through Warbringer’s “Waking Into Nightmares” in 2009. That’s probably fairly accurate, but it stems from the fact that refreshingly little has changed about Warbringer.

Album Review: Anthrax - "Worship Music"

And here we are. After a twisting, turning, practically soap-opera-plot sojourn, Anthrax’s long awaited “Worship Music” is finally available to the masses in the form that the band intended. Or at least, intended for the third time. In any event, we’re pretty sure this is it for revisions to the wayward, prodigal album of thrash metal’s recent cycle.

Questions and Answers with Indestructible Noise Command

Defining a band's legacy is always a difficult thing. In the case of the Indestructible Noise Command, that's made doubly difficult by a rise to seeming prominence followed by a label failure and then a more than two decade hiatus. Now, 2011 finds the INC back in business, a resurrected agent of a gone era faced with a new metal reality. I sat down with guitarist and creative force Erik Barath for some honest Q and A about being back, and what it took to get back.
*How does it feel to be back on the scene after more than twenty years away?

Album Review: Indestructible Noise Command - "Heaven Sent, Hellbound"

If you thought Crowbar’s “Sever the Wicked Hand” was the shoe-in champ for “Most Vicious American Metal Album of 2011,” you might be well served by staying your judgment for a moment and taking a listen to this.

Sometimes, music is powerful enough that it can evoke mental images in the listener’s mind. While listening to Indestructible Noise Command’s “Heaven Sent, Hellbound,” a few pictures were clearly conjured in my brain. In no particular order, this album could be used as the soundtrack for:

1) A low-altitude napalm carpet bombing
2) A shotgun-wielding bank robbery

Concert Review - Lazarus A.D.

In the muddled quagmire of up-and-coming bands that is crowded with acts like Black Veil Brides and Motionless in White, there stands Lazarus A.D, an increasingly rare embodiment of the original tenets of American metal. Bred with speed and groove and forged in the heart of thrash's nuclear furnace, Lazarus A.D, represents the kind of ferocious fidelity to metal's principles that empirically seems to be from a bygone era.

Candid Words With Lazarus A.D. - An Interview

The dust has settled from the release of Lazarus A.D.'s sophomore effort, "Black Rivers Flow." After a tour that took the band all across the United States and Europe, the band has a little time off before striking out on a headlining tour in a couple weeks. Vocalist and bassist Jeff Paulick took some time out to talk with Bloody Good Horror. The refreshingly candid frontman gives us his thoughts on the band, their new album, Metallica, dance music, the state of heavy metal, the music business, horror cinema and sports allegiances in Kenosha, Wisconsin. Suffice it to say, we covered a lot of ground in our conversation.
Critical Reception has been pretty good, how you do feel about the album, and what’s been keeping you busy since release?

Album Review: As They Sleep - Dynasty

As They Sleep couldn’t be more different from their namesake. Anything but a languid trip through tranquil dreams, the band’s new album “Dynasty” is a nightmare landscape of all-out sonic assault.

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