Death Angel is one of the oft-overlooked also-rans of the thrash movement of the early to mid 1980’s. Their name is spoken mostly in the dusty corners of memory, their legacy not as pronounced as so many of their musical kin.
"Th1rt3en," the latest offering from heavy metal titans Megadeth, is both a study of what Megadeth has been and could be. It is a self-contained road-map of Megadeth's past aggressions, present explorations and possible future.
It was in places like this that heavy metal began. A small-time bar out in the sticks with a stage, where the old Peavey PA has a significant hum and half the gathered crowd was there to watch the NLCS.
There’s a fair chance that much of this review will seem like a paraphrased version of our journey through Warbringer’s “Waking Into Nightmares” in 2009. That’s probably fairly accurate, but it stems from the fact that refreshingly little has changed about Warbringer.
And here we are. After a twisting, turning, practically soap-opera-plot sojourn, Anthrax’s long awaited “Worship Music” is finally available to the masses in the form that the band intended. Or at least, intended for the third time.
Defining a band's legacy is always a difficult thing. In the case of the Indestructible Noise Command, that's made doubly difficult by a rise to seeming prominence followed by a label failure and then a more than two decade hiatus. Now, 2011 finds the INC back in business, a resurrected agent of a gone era faced with a new metal reality. I sat down with guitarist and creative force Erik Barath for some honest Q and A about being back, and what it took to get back.
If you thought Crowbar’s “Sever the Wicked Hand” was the shoe-in champ for “Most Vicious American Metal Album of 2011,” you might be well served by staying your judgment for a moment and taking a listen to this.