heavy metal

Album Review: Threshold - March Of Progress

The path a band takes is rarely a straight line. Detours pop up that throw into upheaval whatever momentum can be gained, making a career as much a test of endurance as it is a measure of the quality of work produced. It would be nice to think circumstances that fall out of our control wouldn't have such an impact on where life takes us, but we are not given that luxury. Bands are subject to the whims of fate as much as anyone else, and while some are blessed with good timing, others find themselves stuck with the blackest kind of luck.

Album Review: Texas Hippie Coalition - "Peacemaker"

In a world of heavy metal gone mad with technical proficiency and absolute mandatory perfection of style, craft and cadence, there survives the Texas Hippie Coalition. Thriving in the far too often overlooked splinter genre of southern metal, THC has spent the last few years dropping one record of feel-good, high octane metal after another. Defying trend by surviving on notes that go for a roll in a pile of distortion hay, Texas Hippie Coalition proves that grit and swagger can be just as effective as technique. Thus, their new record, “Peacemaker.”

Album Review: Darkness By Oath - Near Death Experience

I will admit that I don't share the same affinity for death metal that a seemingly massive portion of the metal world does. It's not that I'm against the genre on philosophical grounds, or that I've never found any bands that I enjoy, but on the whole I've simply never been gripped by the constant onslaught of brutality that so many others lap up. I can appreciate the talent and skill that goes into writing and playing much of the material, but at its best death metal feels emotionally hollow to me, and at its worst it feels downright silly.

Album Review: The Foreshadowing - Second World

Doom bands have a struggle on their hands. Not with their fans, who love and crave the slumbering behemoths that pour out of speakers like cold molasses. No, the problem is with people like me, who may have only a passing interest in doom. The tempos and bleak outlook that categorize so much of the music is an impediment to growing the fan-base beyond the hardcore devotees. When the blueprint is executed as written, songcraft often gets placed well behind bludgeoning heaviness, turning what could have been a powerful musical statement into a thundering wall of noise.

Album Review: Black Light Burns: "The Moment You Realize You're Going to Fall"

We’ve discussed on these pages before the talent of Wes Borland and the underground metal community’s grudging respect for the sole interesting member of Limp Bizkit.

Album Review: Candlelight Red - Demons

The proliferation of media means that bands can't merely be bands anymore. Everyone needs some sort of a gimmick, whether it be sound or image. Four or five guys wearing jeans and playing instruments won't capture anyone's attention, not with the cornucopia of options the consumer has at their disposal. Perhaps this helps explain the decline in relevancy rock music has encountered in recent years.

Album Review: Bad Salad - Uncivilized

One of the greatest benefits that has come about as a result of the shifting nature of the music business is the establishment of a relative meritocracy. If a band is good enough, no matter where they come from, and no matter if they are signed to a label or not, word will spread and they will find an audience. At no time has there ever been such an ability to hear music from all corners of the earth, to uncover the gems that in earlier days would have remained hidden forever.

Album Review: Fozzy - Sin And Bones

Fozzy is a band that has no right being successful. The combination of Rich Ward from rap-metal stalwarts Stuck Mojo, and wrestling superstar and lifelong metal fan Chris Jericho, topped off with a ludicrous back story explaining that they were the true legends of heavy metal whose songs had been stolen, was the sort of joke that was barely funny the first time you hear it, and only gets worse with repetition. But a funny thing happened along the way, and Fozzy somehow turned not only into a serious project, but one that garnered plenty of acclaim for all involved.

Album Review: King Of Asgard - To North

There's something about the Viking heritage that makes every bit of music that plays off it seem larger than life. No matter the genre, songs about the ancient warriors give songs a grander scope, a larger vision, the kind of epic scale that can sometimes make us forget exactly what we're listening to. I rarely doubt the sincerity of artists, but there are surely bands on the scene that know the effect that can be gleaned from a gimmick like this.

Inciting Mayhem with Whitechapel - An Interview From the Road

Storming out of the country-dominated southern United States, Whitechapel has been on a mission to carve themselves a niche and a name in the greater heavy metal universe. Signed to Metal Blade Records and ready to take on all comers, the band is included with the Rockstar Energy Drink Mayhem Festival, supporting their new self-titled album. Guitarist Ben Savage took the time to answer some of our questions backstage after the band’s set.
M. DREW: Generally, when you’ve got a musician who releases a self-titled album in the middle of their career, either you’re trying something new or going back to basics. Which one was it for you?
BEN SAVAGE: I’d say just trying something new. We did it because no other title would fit the vibe of the record. It was more of a coming together. Through the years you know the band members…stuff happens, you drift apart. This was more of a coming together. We couldn’t think of another name to title it.

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