death metal

Album Review: Southwicked - Death's Crown

There's a phenomenon in sports where once great athletes, on the verge of the end, return to the teams they made their legends with on one-day contracts, giving themselves a sense of closure as they fade away into the land of archive footage forevermore. Musicians rarely get that kind of self-serving charade. Bands who reunite after years or even decades seldom manage to live up to the standards we remember of them, and members who return to the fold after time in exile often fail to grasp the passage of time that has altered the group they disappeared from.

Album Review: Cryogen - "Psalms of Deceit"

Death metal has, over time, become a uniquely divided sect of the greater heavy metal catalogue. To ask metal fans on each side of the Atlantic what "death metal" should sound like would elicit two wildly different answers. Overseas, death metal is a genre characterized by high-frequency screaming and a veritable avalanche of non-stop guitar. Meanwhile back at the ranch, American death metal is partially infused with the facets of modern hardcore, to produce a sound that shares a relationship with its European cousin, but is marked with guttural growls and heavy-handed distortion.

Album Review: Devilish Impressions - Simulacra

In due time, it's almost a guarantee that every sub-genre of metal will end up blended with every other. Bands like to break new ground, to establish legacies, and being able to claim an entire sub-genre as your progeny is an effective way of doing so. As the combinations are used up, it leaves some interesting amalgamations unexplored. What might at first thought sound like an undesirable experiment, could actually turn out to be a pleasant look into the future.

Album Review: Nile - "At the Gate of Sethu"

I have never been a fan of Nile. I should probably start by saying that.

It seems like I should be. High speed death metal? Check. Ancient Egyptian mythology? Yep. References to H.P Lovecraft? It's got those, too! If Nile could see fit to squeeze in a couple tunes about chocolate cake and the Oakland Raiders, they'd have a bunch of the basic tenets of my personality covered. Yet, it doesn't work for me.

Album Review: Six Feet Under - Undead

One of the questions that has long puzzled me as a music fan is to what degree an artist's standing as an innovator and genre-definer should be incorporated into their legacy. While being the first to travel down a certain path does necessitate a historical remembrance of that person's efforts, it doesn't mean that the work done to blaze that trail is worth remembering.

Album Review: Unleashed - Odalheim

Certain styles of music seem incompatible with long careers. Death metal is high on that list, with the focus on brutality and shredded vocal chords standing at odds with the rigors of aging. If it's true that people tend to mellow with age, it would stand to reason that death metal would not be populated by elder statesmen. Yet it seems to be that conventional wisdom, once again, is wrong. Death metal finds itself seeped in figures from the early days still cranking out new music.

Album Review: Goatwhore - "Blood for the Master"

I really thought I would hate this album. Goatwhore had done next to nothing for me along the entirety of their career, aside from occupying the conversational space where I would say to people, "well, if you can get by their name...they're not the worst band ever." Hardly gleaming praise.

Album Review: Behemoth - "Demonica"

Behemoth. A name that carries a lot of weight, and a lot of stigma in metal circles. Considered the fathers of the Polish death/black/extreme metal scene, Behemoth has been both the center of celebration and consternation for over two decades. Cited on a 2007 list by Polish officials of artists who allegedly promote murder and Satanism, Behemoth is no stranger to controversy.

Album Review: World Under Blood - "Tactical"

Expanding on what we were talking about last week, this album from “World Under Blood” hits closer to the proper death metal mark. “Tactical” blends all the right elements of creativity and power, leaving them in a rough blend that keeps the listener off balance and explores greater artistic depth.

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