death metal

Following years of tumult and unrest, with multiple rotating cast members, Arsis has settled into a groove for the release of the upcoming record "Unwelcome." For the first time, band leader James Malone feels like he has a lineup he can count on and an album that he can really use to launch the band into the fray. We sat down with James to talk about his band, his music, and the conventions of genre labels.

It was less than a year ago that Six Feet Under revealed a revamped lineup to the world, unleashing “Undead” onto a death metal world that wasn't expecting Chris Barnes to make relevant music ever again.

If someone someday constructed a Mount Rushmore of Swedish death metal, there's a very good chance that Peter Tägtgren would be a candidate for inclusion. Revolutionary in his early days and a mainstay in the worldwide genre now, Tägtgren is just about ready to drop "End of Disclosure" on the world, the newest album from his primary band Hypocrisy. That's only the beginning of the musical year for Tägtgren, however, as he's also about to hit the road for a tour and somehow found time to work on the new Children of Bodom record. We were honored that the man himself found a few minutes to spare to talk with us about all of these things and more.

Over the last few years, as the remaining remnants of melodic death metal withered on the vine, the genre as a whole began to suffer.

Death metal bands are at a disadvantage before I hear a single note of their music. Just by the nature of what they play, it's extremely difficult for any of them to stand out from the pack.

It's always difficult to review the latest album from a legendary band, especially when they don't fall into your realm of expertise. Death metal has never been my thing, and even in my brief escapades into the genre, Suffocation never crossed my path.

Melodic death metal is one of those things that, if you listen to a purist, will tell you cannot exist. Death metal, they say, is incompatible with the melodic elements other facets of the metal universe take for granted.

One of the sad facts about music is that there is simply too much of it.

Earlier this week I talked about Rogga Johansson's Megascavenger, and here we are a few dyas later discussing yet another of his projects.