M. Drew's blog

Album Review: Dr. Acula - "Nation"

This is not what I expected. Dr. Acula traditionally has presented listeners with wildly variable, scatter-brained music, embracing frayed edges and the pure nonsense that deathcore makes possible. I expected more of the same from "Nation," and was instead presented with a relatively cohesive, all-systems-go, straight ahead moshfest that not only sounds marginally out of character for the band, but is a solid improvement.

Album Review: Kreator - "Phantom Antichrist"

As Kreator hovers around thirty years in the game, it's tough to have new commentary about their efforts. What can be said about Kreator that hasn't been said before? The corollary question to all of this is "is there anything new that needs to be said?"

Album Review: Whitechapel - "Whitechapel"

This is not your father's heavy metal band. Whitechapel has always been labeled as a deathcore band, but there's more to it than that. They stem from a short-lived but extremely popular splinter of heavy metal that recalls the kind of brassy, grinding sound that dominated the years immediately following the change of millennium. This splinter gave rise to a burst of musicians such as The Red Chord, Nile and Converge, but then sank back into the background.

Music News Updates!

* The Smashing Pumpkins (which has become the epithet for Billy Corgan himself,) is soliciting fan-submitted art that evokes images pertaining to their new album "Oceania." Fans can tag and submit their art based on the album's 13 song titles through any number of social network and photo-sharing websites. For details on how and where to submit, we well as guidelines for the submissions themselves, check it out here. "Oceania" drops June 19th.

Album Review: The Product - "So Alive" EP

Since the release of their debut “Break the Silence,” we’ve seen independent (not to be confused with “indie,”) band The Product come a long way. Their debut was high on effort but not entirely a finished product (pardon the pun.) This new EP finds the band at a greater stage of maturity and musical evolution, more befitting a band in this modern rock revolution.

Album Review: The Cory Smoot Experiment - "When Worlds Collide"

Cory Smoot's untimely and unexpected death was just another blow to a heavy metal community that had struggled through the deaths of James "The Rev" Sullivan, Peter Steele, Paul Gray and Ronnie James Dio. The loss of GWAR's most prominent axe-man caused the holding of breath, the first truly serious press releases from Dave Brockie in recent memory and ultimately the retirement of the Flattus Maximus character, a heretofore untold step in the pantheon of GWAR's fictional story and real-life history.

Album Review: Miseration - "Tragedy Has Spoken"

Miseration's new album "Tragedy Has Spoken" makes me feel like the old cop in a Frankie Avalon movie who pulls over the young feller in his new red convertible GTO and gives him a stern but fatherly warning: "Whoa, where's the fire? Slow down, son, you'll get yourself hurt, and then you can't go to the beach party with your combustion engines and your rock music and your make-out parties." I think we may have gotten off on a tangent there, but you get the idea.

Album Review: The Bunny the Bear - "The Stomach For It"

The Bunny the Bear is a post-hardcore band that some have said incorporates dance elements into their music to flesh out their sound. More than that, the band is equal parts musical and theatrical experiment, attempting to push both the envelope of the hardcore sound and the envelope of presentation. This is one of those situations where fans will stand by and argue that detractors simply don't understand the fusion and exploration that's going on, and that might be true; but it also makes the bold assumption that the fusion and exploration is worth getting.

Album Review: SIVA Addiction - "Bad Decisions"

SIVA Addiction pounds out heavy metal in that uniquely blue-collar American way that is totally untouched by other countries, influences or genres. There is a sliver of the genre that remains impossibly true to the original form of heavy metal; a logical, blown-out extension of rock and roll from the middle seventies that revels in all the pomp and dirt that the legacy of that era entails. That sliver thrived in the U.S.

Album Review: DZ Deathrays - "Bloodstreams"

An awful lot of noise. That’s the first gut reaction to “Bloodstreams,” the new full-length album from Australian do-it-all duo DZ Deathrays. For just two people, this is a full-bore effort, ripped from the core of punk’s heart and rock and roll’s soul.

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