M. Drew's blog

Album Review: Raven Black Night - "Barbarian Winter"

Attentive readers have no doubt noticed that my compatriot Chris has been dedicating a lot of words to the notion that this wave of traditional metal which has so captures our attention in the past two years is beginning to play itself out. The idea behind the theory is that in some form, we’ve heard all this before, that these new or resurgent bands need to bring something new to the fold, lest they simply be branded as more of the tired same.

Album Review: Mothership - "Mothership"

Just read the press release for Mothership and you’ll learn there’s a lot to like about this band. (And for clarity’s sake, let’s get one thing out of the way; this band has nothing to do with George Clinton.) There are the stock-in-trade quotes about what the band is and what they want to be. There are all the conformist comparisons to who the band sounds like and allusions to who inspires their composition.

Concert Review - Turisas, Firewind, Stolen Babies

New York City has long been the proving ground for any number of musical acts in any number of musical genres. It is a place where dreams come true and can be shattered (as was painstakingly recorded and subsequently overplayed by Jay-Z and Alicia Keys.) Just as with their local sports teams (go Mets!) the New York music fan is well versed in his or her chosen paradigm, and impressing those individuals can go a long way toward making or breaking a career. So it was that a dutifully loyal crowd assembled at the Gramercy Theater to pass judgment on Turisas, Firewind and Stolen Babies.

Album Review: Destruction - "Spiritual Genocide"

Okay kids, gather round. It’s confession time.

Benefit Single "The Pride" feat. Zakk Wylde, Morgan Rose et al Released!

"The Pride" Featuring Zakk Wylde (Black Label Society, Ozzy Osbourne), Kevin Martin (Candlebox, The Gracious Few), Morgan Rose (Sevendust, Call Me No One), John "JD" DeServio (Black Label Society, Cycle Of Pain) & The Infinite Staircase, the song written and recorded for the victims of Hurricane Sandy, is now on iTunes

Album Review: Vex - "Memorious"

Texas hardly seems like a hotbed for progressive or technical death metal, but rising from the Lone Star State is Vex, a band that would sound more at home among the ranks of Darkthrone or Absu than Pantera. Their newest release, “Memorious” attempts to bridge the difficult gulf between the distanced ideals of both death and prog as we commonly know them.

Concert Review: Graveyard

What kind of a show was Graveyard? Allow me to set the scene. After driving two hours to Boston, my wife and I were greeted by temperatures hovering right around the zero mark, with a persistent wind that just wouldn’t let up. We were in the middle of the most rugged cold snap the Northeast had witnessed in at least two years, and the car whined much of the way about having to perform under duress. Simply walking to and from dinner was a chore, and we knew immediately that windburn had damaged the unprotected portions of our faces.

Album Review: Fall City Fall - "Victus"

As a reviewer, when you listen to an album, you are invariably struck with a first impression. It’s impossible not to be, as this kind of reactionary assessment is simply part of human nature. The need for thoroughness typically prevails however, and you end up listening to the album again, attempting to attach your first impression to the lathe and hone it down to something that isn’t a cumbersome generality.

Album Review: Deceptor - "Chains of Delusion"

Thrash metal from England. Think back for a second. Have you ever, in your life of musical fandom, heard or used that phrase? Probably not, and Deceptor is willing to admit the same. For all the legendary history of English metal, from Sabbath to Maiden to Priest and Venom, all have danced around thrash, many have had a hand in shaping it, but none have waltzed with it. So, Deceptor takes the banner for English thrash and leaps headlong into the fray with their new effort “Chains of Delusion.”

Album Review: Resolution 15 - "Svaha"

It’s easy to say that “Resolution 15” is a thrash band, but it’s harder to pinpoint the “how” of it all. While the band’s roots are firmly planted in the rich earth of thrash as we know it, the inclusion of electric violins in place of the traditional guitar immediately make their music an eyebrow-arching concern.

Yet, the mere inclusion of what could be seen as gimmickry does not an album make, so for “Svaha” to impress, it must bring more to the table than a banner headline about instrumentation.

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This week we discuss alchemy, camera technology, a first time guest host joins the show, and we review "As Above, So Below".  

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