Napoleon Syndrome

I'm a vertically challenged, rage-a-holic horror fan. These are my thoughts on the world around me.

Fringe 1.03

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FRINGE EPISODE 1.03 "THE GHOST NETWORK"

The Gist:

As the episode opens, we see a man attack a bus full of people by unleashing an aerosol spray into the air. While leaving the bus we see him grab a backpack from one of the women on the bus. After he is gone, we see that the aerosol has hardened and solidified everyone in a sort of gel like material, leaving them in almost a suspended animation type state.

Meanwhile, we're shown a young man who had a vision of the attack before it occurs, and as we later learn, he has been having these visions for almost 9 months. The Fringe team gets a hold of him to try and find out how he's seeing these things, and whether or not he can lead them to the terrorist who attacked the bus... wacky science ensues.

The Fringey Science

There's all kinds of wacky science in this episode. First off, let's talk about the aerosol we see in the beginning. After "recreating" the agent, Dr. Bishop explains that it's a "silicone based aerosol that reacts with Nitrogen in the atmosphere when it is released", therefore solidifying it into the gel we saw earlier.

That's the simple part. Once the Fringe team gets a hold of the guy with the visions, Bishop realizes that he was part of an experiment he had conducted 20 years earlier (natch), and that he has metal compounds in his blood which are enabling him to pick up on some type of super advanced, telepathic communication system. It was a system he had been trying to develop in his previous life as a researcher, and one that he now claims someone has perfected. The metal compound seems to have multiplied in the man's bloodstream and bunched up in his visual centers, hence the reason why he ends up drawing his visions to get rid of them.

So bring on the surgery! Bishop decides that the only way to fix this problem and try to interpret the signals he's getting is to drill holes into his brain and (presumably) through magnets, try to manipulate the concentrations of metal into the centers of his brain that deal with hearing. It works (of course), and the guy starts speaking what he's hearing on the psychic comm line, allowing the team to pinpoint where the next attack will happen. Whew, get all that?

The Mythos

A few key additions to the mythos this week, in bullet form as always.

- Dr. Bishop's son, Peter, is in some kind of trouble. A photographer is following him early in the episode, and after a confrontation he warns the guy not to tell anyone that he's back in town. This thread is then dropped for the rest of the episode, presumably to be picked up at a later date.

- The woman on the bus, whom the shadowy group wanted something from, was a DEA agent who wanted to be pulled out of her undercover work because she had discovered something called "The Pattern" (which we already know about). She was on her way back to her home base with some evidence when the bus was attacked.

- Both Bishop men can play the Piano. Aww, how cute.

- In the beginning, an awkward convo with the evil lady who's the head of Massive Dynamics leads Olivia to realize she's not being told everything. Her boss assures her it's only because of the highly sensitive info that she's dealing with.

- At the end we see a sinister meeting between the head of the Fringe group and said Massive Dynamics lady. The conversation is vague, but the implication seems to be a larger conspiracy that we're not fully aware of yet.

- Then as the episode closes, we see Agent Scott's body (which was buried in the beginning of the episode), in a lab at MD. The doctor tells evil lady that they're "pulling info from the link". Oooh, sinister!

MY THOUGHTS

I have to say, I wasn't quite as entertained by this episode as I was last week. If my writeups are any indication, this is one of the most convoluted and overly confusing shows I've ever watched. Granted, I've never seen "Lost", so perhaps this is just well worn territory for Abrams. For my part, I recall having the distinct thought last night that I would not be watching this show anymore if I weren't reviewing it for the site, which obviously is not a good sign.

Perhaps part of it is just my lack of attention span. We're now three episodes in, and we keep seeing the same ominous things happening. I need more development of the mythos people! It took three cases, all tied to Massive Dynamics before Agent Dunham decided there might be a connection here. Really? All I'm saying is, if this show is going to be based around this sinister, complicated mythos, we need more than bread crumbs here. Yes we're only three weeks in, but next week I need something special or else we may be saying good bye to these reviews.

On the positive side, I still highly enjoy watching Dr. Bishop conducting his wacky experiments every week. John Noble continues to act circles around his younger counterparts, and his ticks and momentary lapses of lucidity continue to bemuse me on a weekly basis. The main question is, how long before that runs thin?

And lastly, I spent a good amount of time bitching last week about the chemistry between our two leads. It's obvious at some point that a full on "Mulder and Scully" type arch will appear in the show. And while I'm against it, I do have to admit that there is a tiny scene at the end of this episode that, even if only for a fleeting moment, showed some chemistry between our two leads. I still think it would be a mistake to get them together, but the show at least showed signs this week that they might be able to change my mind on that front.

Thoughts, feelings, opinions on Fringe 1.03? Leave 'em in the comments!

Amazonagent's picture

Last night was the first

Last night was the first episode I have watched of this show. Everyone of my friends keep telling me how good the show is so I had to see it for myself. I thought it was ok, the opening scene on the bus was pretty cool. The characters are interesting for the most part. It was entertaining but I wasn't blown away by it. I don't know if it's just me but lately a lot of television is not very engaging to me. I might watch the next episode and maybe catch the previous two eps. (but I'm not rushing to do that any time soon).

-Tanya
Catchin' bullets with her teeth since 1977

Eric's picture

Pilot

I enjoyed the pilot, you should definitely check it out, but every week it's the exact same formulaic stuff. Plus, the science is getting way too complicated and wacky for it's own good.

I don't know, I just relate to your "underwhelmed" comment. There's just nothing epic or intriguing about this show yet for me. Hell, in the first X Files episode we practically see a flying saucer for fucks sake. In this day in age where a show can get canceled after only one episode, you've got to get to the chase faster than this.

Drunken Zombie's picture

Impatient impatient. Let

Impatient impatient. Let the story build. People have been bitching about LOST forever that it never reveals anything. With FRINGE I would say there is at least a chance of it getting canceled so delving more into what The Pattern is and what it means would be good. But I would say just sort of take it all in and see how the story unfolds.
www.drunkenzombie.com

Eric's picture

Yes, but

I would be ok with letting the story build if I found it interesting. It's so vague yet so incredibly complicated at this point that they're losing me before it even starts. It just doesn't seem like they know where it's going. I guess nothing has hooked me at this point, which is making following everything incredibly tedious.

Amazonagent's picture

That's exactly it Eric, I

That's exactly it Eric, I feel like maybe I'm jaded and nothing impresses me like shows in the past have. And now it seems everybody is trying to make almagums of older shows to create something new. Like last night I was watching Fringe and they uses the same type of audio cues that Lost uses right before the commercial comes on. And I'm like "Oh here's comes the dramatic string outro." It's like , hey I've seen that before do something else.

But maybe I'm just being to big of a bitch. ^_^

-Tanya
Catchin' bullets with her teeth since 1977

peloquin's picture

I was thinking the same

I was thinking the same thing about the audio cues. Its the exact same strings sound they use on Lost.

Im also wondering whether the image they show right at the end has anything to do with the overall plot, last week was an apple, this week was a lizard I think.

Also I seemed to have missed part of the episode, I didnt see them get hold of the guy who was picking up the signals. But then again it could have been the version I got hold of, Frige isnt on in the UK yet I believe so I stream it.

www.myspace.com/devil2pay

Eric's picture

Network TV

Ya, agreed. Part of me wants to give up network TV in its entirety. Setting aside 2-3 hours every night to watch TV is seeming increasingly pointless. I loved the Writer's strike b/c I could watch movies and do other things that Ii wouldn't normally because I felt obligated to watch my favorite shows.

I don't have to now. I can watch them online, wait for the DVD's, or just skip them altogether. It makes me wonder how many other people there are out there who were enlightened by the strike. It's like it gave me time to reevaluate what I do with my time every night after work.

Casey's picture

Strike Shmike

I haven't watched a regular show (outside of a few key ones) since the advent of TV on DVD. Now with places like Hulu, it's even easier! I make sure to watch Heroes every Monday and now Sarah Connor on Monday's. Other than that, I've been blowing shows off to wait for the DVD or web shows now for a couple of years.

More than anything, I just hated being tied to the couch for 4 hours a night!

John Shelton's picture

Mythos

I think one of the reasons they're being so stingy with the mythology is because Abrams is purposely trying to keep Fringe the kind of show a viewer can tune into on any given week and not be completely lost (pun slightly intended). For the first season at least I would expect the mythology to be very much in the background in favor of letting the freak of the week take the spotlight. In a lot of ways the show has a lot more in common with a procedural like CSI or House than a continuity-heavy show like the X-Files or Lost.

Casey's picture

Mythos 2

Right! I have yet to care too much about he mythos stuff, but I'm a veteran of four season of Lost too. I've been pretty entertained by the freak of the week scenario and whatever crazy science bit Walter comes up with each week.

Eric's picture

Mythos

I guess part of my problem is covering it for the site. I mean, once you start to take notes on exactly what is happening and then go back and try to make sense of them later, you realize how convoluted the whole thing is.

Last week's "Freak of the Week" was interesting, but this week's didn't do anything for me. Plus, if they really wanted to be that kind of show like Shelton posited, then they wouldn't be insisting on injecting vague mythology clues into every show. I mean, it's not as if every episode hasn't ended with a scene meant to expand the mythos. It's like they're trying to have the best of both worlds and for me it's not working.

Plus, the two episodes since the Pilot have followed the same exact formula to the point where you could almost call exactly what was going to happen next. It's just all too convenient for me.

I love the premise, love the cast, love the visuals... but I am just not digging this show. Not trying to start arguments here, but I'm just not feeling it for some reason.

Christine's picture

so many comments... i might

so many comments... i might just have to start watching it so i don't feel left out!