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Genre Love Letter
If loving genre movies is wrong, then I don't want to be right.
Box Office Special - Audiences Fail to See Genius of "Guru"
In a shocking (SHOCKING!) development, "The Love Guru" died a quiet, merciful death in theaters around the country. Proving—perhaps miraculously—that the average moviegoer does have a threshold for cinematic putridity, audiences managed to contain their enthusiasm for goofy voices and the most egregious of non-sequitors, all of which may send "funny-man" Mike Myers back into another five year hibernation (his last actual on-screen appearance was in 2003's "Cat in the Hat"). In its opening weekend, "Guru" placed a distant fourth with $14 million, or less than a quarter of its production budget. Of course, anyone who had read the reviews will not be surprised.
Now that I've gotten my schadenfreude out of the way for this week, let's move quickly to films that didn't embarrass themselves. Steve Carrell and Anne Hathaway took home top honors this weekend, as "Get Smart" did just a shade under $40 million at the box. It's a nice figure, and it's hard to knock 1st place, but this has to be something of a disappointment. The film brought in less than half its production budget (barely, but still) of $80 mil, and the TV show reboot marks the 2nd high profile Carrell vehicle to underwhelm (to say that "Evan Almighty" only underwhelmed is generous in my opinion). The fact that "Get Smart" faced less than robust competition in the form of "Guru," "Happening," "Zohan," "Hulk," and "Kung Fu Panda," speaks volumes about where the audience is at in terms of getting the kind of options they want right now at the theater. "Panda," which pulled a second consecutive runner-up finish, might be the real winner this week as it shows that the concept definitely has some legs.

The theme next week will be change, and lots of it. Pixar drops its yearly diamond into theaters alongside a real-live, R-rated, high concept action flick, and I fully expect that double-barreled onslaught to dislodged the collected stink of mediocrity from the top of the chart. Any Pixar offering ranks among the most anticipated films of any year, and "Wall-E" is certainly no exception. Similarly, a scantily clad, heavily armed Angelina Jolie should do wonders in drawing the crowds to "Wanted," the comic book adaptation being helmed by Kazakhstan's answer to the Wachowski Brothers. Genre fans likely know Timur Bekmambetov from his previous work on "Night Watch" and "Day Watch," the first two parts of a Russian action-horror trilogy. From what we've seen in the previews, "Wanted" looks to fall very much in line with Bekmambetov's work on those films, which means there's plenty of eye candy to keep audiences stimulated.
Anything less than top billing for "Wall-E" will be a shock to Disney, as no Pixar film has not hit #1. "Wanted," with all its star power and over-the-top action, would also be something of a shock if it didn't put up a solid performance. I fully expect both these films to help audiences cleanse their palette of what was one of the lower-lights of 2008 thus far.
In horror news, "The Happening" fell from 3rd to 5th, but continued to perform capably, and is already the 2nd most profitable (from a BO gross perspective) film in the genre this year. It's unlikely, but M. Night's less than stellar offering has an outside shot at taking down "Cloverfield" for horror's top spot. "The Strangers" held on to a spot in the top 10 in its fourth weekend, but looks to be on life support. Track all the action at the updated Horrors of 2008 spreadsheet.
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If you need a further reason
If you need a further reason to feel smug about the overwhelming flopitude of The Love Guru check out this article which makes Mike Meyers out to be a first-rate douchenozzle who is hated by pretty much everybody he's ever worked with.
I will, Thank You
I'm ALWAYS on the look out for further reasons to feel smug when awful movies tank, so I will be checking out EW. I remember reading somewhere (and someone please correct me if I'm wrong) that there was some ill-will between Myers and Carvey because the latter accused the former of stealing the idea of Austin Powers from him. Clearly, we all would have been better off if the first film resulted in a lawsuit that prevented the sequels from ever being made, but the fact that they were, leads me to believe that this is just a rumor.
I don't get Myers
If you look at his film career, out of the films he's been directly creatively involved in only two are any good. That's not a great batting average. Financially the second and third Powers films did gangbusters but they were terrible.
Jon, how is the Incredible Hulk doing? Finally got around to seeing it yesterday and was wondering how it's been faring.
"I like it when they lie still like that."
Hulk
It's been doing okay, but definitely nothing close to Iron Man. When all is said and done, the worldwide take will likely be pretty decent, if not spectacular, but I really see this movie as just a piece of a bigger puzzle that Marvel is trying to put together with Cap. America, Avengers, Iron Man II and Thor. There's other properties in development, and some already slated for release (Punisher: War Zone, Wolverine, Magneto), but I'm not sure what Marvel's role will be in those, so it's hard to say how they fit in, if they do indeed fit in.
I thought Hulk was fun, but not amazing. I'm hoping to write about it later this week. What about you Abel?
I liked it. It was exactly
I liked it. It was exactly what I wanted from a Hulk movie. I wouldn't want to buy it on dvd or anything but I was never bore watching it (as opposed to Ang Lee's Hulk). I thought the first hulk fight in the factory was actually the best and really how the hulk should be treated, big, scary and kind of mysterious. The ending made no sense at all though.
It certainly didn't have the human element that worked so well in Iron Man for sure, though ironically I thought Iron Man fell down when it went into full superhero mode. Not a bad start for a reboot. Curious to see the an extended cut DVD since apparently Norton's cut of the film was life three hours and had the human element in it.
"I like it when they lie still like that."