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  • Album Review: Tuomas Holopainen - The Life And Times Of Scrooge McDuck

    The thing about concept albums that often gets forgotten is that both the artist and the listener have to truly be invested in the story for the album to work as intended. Without that sincerity, they amount to nothing more than bloated albums that use art as a means of excusing their weaknesses. When a bad idea comes along, like writing a double concept album about a mystic charlatan who was the medieval equivalent of a carnival huckster sitting in front of a crystal ball (yes, I'm talking about “Nostradamus”), there is no hope of the album ever overcoming the subject matter.

  • Album Review: Triptykon - "Melana Chasmata"

    Triptykon’s debut full-length record from 2010 “Eparistera Daimones,” was a confused affair, even though it was greeted with unqualified praise from the reviewing universe. It lacked direction, rambled on in random progressions, and never established a musical purpose beyond trying to cram as much force-fed anguish into the product as possible.

  • Horror Icon Mini-Marathon: JOE DANTE

    Making horror is challenging; making comedy is difficult. Making horror-comedy is an unenviable task. So many things can go wrong, because the balance is so delicate that the entire filmic house of cards can collapse in on itself with the slightest misstep. Occasionally, filmmakers will make one or possibly two decent entries into the sub-genre; however, only one filmmaker has made an entire career out of the precarious high-wire act, and that filmmaker is Joe Dante.

  • New on Instant Watch 4/11 - 4/18

    Hey there ladies and gents! You might remember me as "That guy that used to write at Bloody Good Horror a lot", then again, you might not! I don't write metal reviews, so hard to squeeze into the ranks here, am i right? I kid, I kid because I love. While the writing has slowed down over the past few years, I apparently still love the sound of my own voice, so the podcasting has still been going hot and heavy.

  • Tonight We Tribute Tonight - "This is Spinal Tap" Final

    A tribute project of two people does not a true tribute make. Particularly as it relates to "This is Spinal Tap," the only true measure of the film's success is the critique of its peers. To that end, as with every tribute we do, Chris and I step aside to make room for the opinions of those who make the music we all love. Before we begin, allow me to take a moment to thank all the musicians listed below, and all the promotional and label reps who helped gather these anecdotes. As ever, our tribute project is only a success because of the legwork they do to make it come together.

  • Tonight We Tribute Tonight - "This is Spinal Tap" Part 2

    M. DREW: Let's run with your posit for a moment that metal culture no longer exists in a cohesive sense (which I still dispute, but I can't debate without arguing in circles, which will get us nowhere.) We can at least agree that metal culture is fractured and in some state of disrepair. There's almost certainly a qualifier in front of the word 'disrepair,' but which one and how serious it is, is likely in the beholder's eye.

  • Tonight We Tribute Tonight - "This is Spinal Tap" Part 1

    CHRIS: Metal's history in the movies is not particularly long or illustrious. All of the odd glances and snickering asides that metal gets from music fans of other stripes are magnified when the medium changes, as filmmakers seldom know what to do with a form of music that is the aural equivalent of a Michael Bay movie (take that for what you will). Most of the time, we end up with metal either being portrayed as music for idiots, or are subject to movies that try to deal with the subject matter with respect, but are terrible attempts at film. I'm looking at you, "Rock Of Ages".

  • Album Review: Edguy - "Space Police - Defenders Of The Crown"

    No metal band has meant more to me over the years than Edguy. They were the first heavy band I got into, and have remained a favorite throughout the ensuing years. While many were criticizing their decisions, whether the comedy that crept in on “Rocket Ride”, or the modern darkness of “Tinnitus Sanctus”, I was firmly in their camp. Fans may have been wishing for the band to return to the style they perfected on “Hellfire Club”, but their refusal to stay in place is one of the things I like most about them.

  • Album Review: Scream Arena - "Scream Arena"

    Have you ever had to put yourself out in front of other people to be judged? I think just about everybody has. Whether it was an oral report in school or a project at work, it's never easy to stand up and let people critique something you've worked hard on. It's even more difficult for an artist. Good art comes from the soul. You spend a lot of time working, practicing, honing your skills but, eventually, if you want to take your craft to the next level, you've got to put it out there and let it be judged by the masses. People you don't even know are evaluating your soul.

  • Album Review: From Hell - "Ascent From Hell"

    Paper is a deceptive medium. It always has been. Insidiously, paper sits idly by and lets people scrawl out visions that look like can’t miss propositions until they get into planning and ultimately, execution. Paper never voices an opinion or contrarian voice – it never gives any indication that the information encoded on it might be faulty or without merit. So when From Hell, a band composed of members of Nevermore, Slayer and Death Angel slides across the desk, promising a semi-concept album full of crafted horror stories, it seems like a great idea…on paper.

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