Genre Love Letter

If loving genre movies is wrong, then I don't want to be right.

The Comics Code and the Death of EC

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Anyone who has dabbled in comics likely has at least a passing familiarity with the Comics Code. The Code, which went into effect in 1954, was established by the Comics Code Authority, which was handled under the auspices of the Comics Magazine Association of America. This organization was charged with overseeing the comics industry to ensure that the vileness that had pervaded comics wouldn't continue to destroy America's youth.

If the idea that comic books could wreak such havoc seems silly to you, then you can thank Fredric Wertham for convincing Congress and the American public otherwise. Wertham, a psychologist by trade, led the charge against popular culture as a corrupting influence in the 50s. This month a new book about Wertham and the hysteria that he created hits shelves. It's titled, The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America I haven't had a chance to read all of it yet, but the New Yorker has published a very solid review that gives a fuller account of what happened in the mid-50s with respect to comics, and the effects that reverberated from there.

One of the most troubling of these reverberations was the virtual destruction of EC Comics, which published a number of genre comics with what many considered unseemly content. Most notable today among their former publications was Tales From the Crypt. Like a lot of comic readers of my generation, I had the opportunity to connect with these comics when they were re-released in the early to mid-90s. More recently though, Gemstone Publishing has been putting out hardbound collections of these seminal comics. They are wonderfully restored and beautifully presented. I can't recommend these collections enough to any genre fan or anyone with an interest in the history of comics as an art form.

Casey's picture

Looks good

I'll have to add that to the reading list.

Didn't the Comics Code and the Demise of EC comics help lead to the birth of Mad Magazine though?

(speaking of which, I flipped through a mad magazine the other day at the news stand. Just not the same anymore :()

Jon's picture

Mad Magazine

You're spot on about Mad, which was founded by EC producers after the company folded in 1955. As that New Yorker article points out though, the real benefactors of the repressive Comics Code were superheroes (aka Underwear Perverts), who proliferated in the 60s when other, perhaps more interesting types of comics had been destroyed.

Here's a clip from the article that describes what the Code actually said:

Even Betty and Veronica were ordered to wear less tight-fitting blouses, in accordance with the requirement that “females shall be drawn realistically without exaggeration of any physical qualities.” The code also stipulated that “all scenes of horror, excessive bloodshed, gory or gruesome crimes, depravity, lust, sadism, masochism shall not be permitted,” and “the treatment of love-romance stories shall emphasize the value of the home and the sanctity of marriage.”

So you can see how that might have stifled some creativity. Just a little, maybe.

mark's picture

Basil Wolverton

I'm not a HUGE fan of comics overall but I love the collections. I've had my eyes on the new-ish Basil Wolverton book for while now. As it turns out, the most grotesque/subversive of comic artists tend to be the most inspired/talented. They also tend to be absolutely bat shit crazy, much like Wolverton was.

Casey's picture

True Dat.

For instance, Harvey Pekar the subject of American Splendor. Fascinating movie, fascinating subject. I think it's pretty obvious Pekar wasn't quite right in the head.

There's also a movie on R. Crumb out there I've yet to see, but that guy's always been fascinating and bat shit crazy too.

Eric's picture

It's funny, that last line

It's funny, that last line is almost word for word what the Chinese have banned from the internet in the lead-up to the Olympics. Guess we haven't come that far after all.

Jon's picture

Wertham, Perhaps Not the Devil

Since posting this I've had time to finish reading the New Yorker piece, which actually offers a pretty nuanced defense of Wertham. I, like others before me, have slammed him to a degree for igniting the fire that destroyed much of the comics publishing world. The article points out that Wertham himself was never a supporter of outright censorship, but advocated for a system that more closely resembled our current MPAA. That didn't happen though, and Wertham often takes the blame, which may be unfair.

Eric's picture

Either way

I'm not a fan of comics at all. The story of EC and the Comics code though is a truly fascinating piece of US history. It was roughly around the time of McCarthyism too, which sort of gives you context for the general mood for the country... ie "retarded".

Casey's picture

This is late to the game...

But I just stumbled across it.

Here's a taste of Basil Wolverton I just stumbled across...

http://thehorrorsofitall.blogspot.com/2007/12/nightmare-world.html